Regie:
Adam SalkyDrehbuch:
Chris SparlingKamera:
Eric LinMusik:
Alex HeffesBesetzung:
Freida Pinto, Logan Marshall-Green, Robert John Burke, Sarah Minnich, Mark Sivertsen, Megan Elisabeth Kelly, David DeLao, Hayes Hargrove, Josh HortonStreaming (1)
Inhalte(1)
Ein Einbruch machte ihr eheliches Traumhaus zum Tatort eines Mordes. Die traumatisierte Ehefrau sucht nach Antworten. Doch die wahre Gefahr steht ihr noch bevor. (Netflix)
Kritiken (4)
Ein Thriller-Häppchen mit einer soliden Spannung und Schreckmomenten. Das Drehbuch wirkt aber so, als ob es ein Erstklässler geschrieben hätte, der sich manche Wendungen und Beweggründe der Hauptheldin aus dem Finger gesaugt hat. Im Endeffekt wurde der Stoff durch keine neuen Elemente ergänzt. Das Haus ist architektonisch gesehen interessant.
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You don’t need to be Einstein to figure out that her husband is acting weird from the first minute. She’s been married to him for over a decade, but somehow never noticed. The plot reminded me a lot of Mort Castle's novel "Strangers," just with a few tweaks. It’s a shame Logan Marshall-Green didn’t put in a bit more effort — his performance added to the overall lack of logic and pretty much tanked the whole thing.
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A technically average film with a very unoriginal content and practically nothing to surprise. They make zero effort to innovate the classic template, the acting is not great and the ending is predictable to the point of horror. Not an unwatchable disaster, but at the same time nothing you have to see, especially with Netflix releasing like a treadmill lately – you can safely skip this one and you'll still be happy.
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An absolutely great movie for aspiring screenwriters - as a cautionary example of what not to do. From the first minute, it's clear what's going on, who the bad guy is, and why. Watching a film where there's zero surprise, and everything is guessed in advance, is like waking up on New Year's Eve and pretending it's mid-May - it just doesn't work.
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