Black Mirror - Season 3 (2016) (Staffel)
Stoffentwicklung:
Charlie BrookerRegie:
Joe WrightKamera:
Seamus McGarveyMusik:
Max RichterBesetzung:
Bryce Dallas Howard, Alice Eve, Demetri Goritsas, Attila G. Kerekes, James Norton, Alan Ritchson, Cherry Jones, Shane Zaza, Abubakar Salim (mehr)Streaming (1)
Inhalte(1)
Eine Frau mit akuten Social-Media-Defiziten zieht mit einer Einladung zu einer schicken Hochzeit das große Los. Doch das Ereignis läuft nicht ganz nach Plan. (Netflix)
Kritiken (5)
Ein Horrorfilm pur, welchen man mit dem Grauenhaftesten vergleichen kann, was je gedreht wurde, und eine schwarze Komödie zugleich? Warum nicht. Es ist eine richtig hässliche Zukunftsvision, von der wir vielleicht überhaupt nicht so weit entfernt sind. Und vielleicht leben wir schon in dieser Realität. So oder so, Bryce Dallas Howard ist unter der zuverlässigen Regie von Joe Wright einfach hervorragend.
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An upgraded blend of Instagram and Tinder that turns the world into a rosy, sunny little hell. It’s a very unpleasant dystopia, even for the standards of this superb series. Or a return firing on all cylinders. The Czech made me happy. :D
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On paper, everything looked like a turning point in my perception of the entire series. An appealing and perhaps the most topical subject matter, starring my beloved Bryce Dallas Howard, the appealing James Norton as her brother, the reliable Joe Wright behind the camera – and yet I remain disappointed. I don't like stories where the main character is punished for mistakes they didn't make and as a result, is dragged into an increasingly repugnant quagmire. Instead of being an unforgettable spectacle, Nosedive leaves only a feeling of permanent frustration.
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Hypocrisy (1*) with a mannered American sweet smile on his lips (2*) made through social "InstaSnapTinder" (and Home Improvement; 4*) ad absurdum. In any case, transferring Brooker (5*) under the wings of Netflix (4*) and overseas (3 *) caused absolutely no harm. It is still chillingly up-to-date, apt, satirical, critical, with detached view and worthy of reflection. Only this time it lacks a driving force... Um, actually it lacks five stars, because approximately in the middle it’s only playing with completely the same only in more ways, although Howard handles shy "quaternary" mode brilliantly, but she tends to obviously overplay the tense "secondary" one.
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A hammer hitting the nail on the head. A glimpse into a future that is very close to reality. I loved the language they chose for the old car and the final threat to Mr. Rags looks like fallen out of Con Air.
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