Regie:
Stephen FrearsDrehbuch:
Martin ShermanKamera:
Andrew DunnMusik:
George FentonBesetzung:
Judi Dench, Bob Hoskins, Kelly Reilly, Christopher Guest, Anna Brewster, Rosalind Halstead, Toby Jones, Natalia Tena, Samuel Barnett, Patrick Kennedy (mehr)Inhalte(1)
Ausziehen! Im kriegsgebeutelten London von 1937 schickt die reiche und exzentrische Lady Henderson ihre Showgirls im Evaskostm auf die Bühne ein handfester Skandal! Augenzwinkernde Brit-Comedy ber die erste Nacktrevue in Grossbritannien. (Verleiher-Text)
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Lady Henderson präsentiert ist ein klassischer Fall eines Films, der aufgrund seines dämlichen tschechischen Vertriebstitels auf seinen eigentlichen Inhalt verzichten sollte. Aber wenn wir über Lady Henderson präsentiert sprechen, begegnen wir einem gelungenen Historienfilm von Stephen Frears über die glorreichen Jahre des Windmill Theatre, des berühmten Nackt-Revue-Theaters, das in den 1930er Jahren eine faszinierende Ära erlebte und auch während der Bombenangriffe auf London im Krieg geöffnet blieb. Es überrascht mich nicht, dass der Stoff schließlich zu einem Musical wurde, denn der Stil der Londoner Follies ist einfach attraktiv.
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English lords vs. female nudity. Who’ll come out on top? Even by Stephen Frears’s standards, this is a very unentertaining film. Judi Dench and Bob Hoskins, each different, both unlikable and drawn to each other only at the instigation of the screenwriter. The narrative, as desolate as a field after a battle, is enriched with a romantic mini-interlude at one point around two-thirds of the way through the film for reasons that are impossible to comprehend. Perhaps so that there is at least some emotion and tears can fall. This affected and not very funny ode to “the other woman” and a lot of other factors favoured by society is the most suddenly watchable at its theatrical and least cinematic moments. If Frears had staged the rest of the film with the same degree of inventiveness, I would have spent less time hesitating over whether to give Mrs. Henderson Presents three stars. 55%
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A period comedy-drama done just the way the Brits do best. It’s tasteful, occasionally crude, sometimes funny, and a bit dull in parts. Judi Dench, as always, delivers a solid performance.
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A superbly filmed and performed masterclass by Judi Dench and Bob Hoskins. The characters other than the energetic, stubborn lady and the resolute impresario hardly matter, everything revolves around them, they are the two islands of security in war-torn London. And that’s not bad, at all.
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Members of the wealthy elite often feel the need to show their human face and gain the sympathy of those below them. Both the screenwriter and director try their best, but I cannot shake the intense feeling that I am watching a stubborn and arrogant lady who is capable of driving her Indian servant to desperation and trampling on her surroundings with the same passion with which she seized the opportunity to save the theater scene. I did not find a way to connect with the character portrayed by Judi Dench, and it was only slightly better with Bob Hoskins. Furthermore, the combination of patriotism and a brothel selling erotica does not seem all that kosher to me, and where the creators feel they have captured the strongest patriotic moment, I feel unsettled. Considering the environment in which the story takes place and the names the director has at his disposal, I see untapped potential. Overall impression: 55%.
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