Kritiken (3)

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D.Moore 

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Deutsch Ein sehr guter Krimi, der alle Regeln des Genres respektiert und niemandem Schande macht. Jindřich Plachta ist als Detektiv Klubíčko perfekt, die Rolle passt zu ihm ausgezeichnet. Die Zuschauer*innen werden ständig irregeführt, es werden immer neue Spuren entdeckt. Am Ende gibt es eine "Poirot“-Konfrontation, alles läuft wie geschmiert. Die Musik von Karel Marchart, die klassische Kompositionen nutzt (nicht alle passen aber zu dem entsprechenden Geschehen im Film), fand ich interessant. ()

NinadeL 

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Englisch The Barrandov primus that started it all. After the 1898-1932 era, which saw several breakthrough "Year Zeros" of Czech cinema, the decisive moment of the Barrandov miracle came. And it was right out of the woods. It features a great agile camera, exquisite interiors, fancy props, an excellent cast and a good continuation of the Czech crime drama, which has been flirted with in various variations since the early days. Now it's just a matter of choosing whether I'm more interested in the performances of Rogoz or Plachta or the girls Lhotová or Hermanová. Jarmila, however, had the folding serving table. ()

kaylin 

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Englisch I was quite surprised that we Czechs have quite good detective characters, not only after 1950 but also before. Jindřich Plachta is incredible in his role, and it's almost a shame that it didn't become a series because his character is wonderfully Poirot or Holmes-like. The story itself is also not bad, and it's clear that it is based on a good original work. ()