Regie:
Russell MulcahyDrehbuch:
Paul W.S. AndersonKamera:
David JohnsonMusik:
Charlie ClouserBesetzung:
Milla Jovovich, Oded Fehr, Ali Larter, Iain Glen, Ashanti, Christopher Egan, Spencer Locke, Matthew Marsden, Linden Ashby, Jason O'Mara, Mike Epps (mehr)Streaming (6)
Inhalte(1)
Mittlerweile sind fast 99 Prozent der Erdbevölkerung mit dem todbringenden T-Virus der 'Umbrella Corporation' infiziert. Längst bieten die Städte keine Sicherheit mehr und nur eine kleine Gruppe Überlebender hat sich zusammengetan, um in einem schwer bewaffneten Konvoi über die verlassenen Highways von Nevada zu ziehen. Immer auf der Flucht vor menschenfressenden Zombies und auf der Suche nach ihresgleichen, den Lebenden, den Nicht-Infizierten. Alice (Milla Jovovich) folgt dem Konvoi, bereit an der Seite ihrer Mitstreiter gegen die lauernden Untoten und düsteren Machenschaften der 'Umbrella Corporation' zu kämpfen. Doch dies ist nicht Alices einziger Kampf: Genetisch manipuliert durch Dr. Isaacs (Iain Glen) Experimente kann sie sich selbst nicht mehr trauen. Ihr letzter Ausweg ist, die 'Umbrella Corporation' endgültig zu vernichten... (Constantin Film)
(mehr)Kritiken (7)
A B-movie that pulls out all the stops. No shortage of inspiration from more successful titles, but let’s admit it, the atmosphere from Mad Max was really good for Resident and the bloodthirsty crows (The Birds) were at very least powerful. The action scenes are perhaps the best... of the whole trilogy (because the sun is shining and it’s easier to see through a hole in a head ;-) and the zombie with the sunglasses is darn cool. And Milla is a still really foxy, so she’s something to watch. Russell Mulcahy gave us a pleasant surprise and brought the series to a satisfying end. Well, although... We’ll see. ;-)
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Paul W.S. Anderson verdient ein Lob für das Drehbuch (besonders für die Szenen "Raben" und "der letzte Joint"), Russell Mulcahy für die Stimmung und für den Schwung. Die einzige Person, die hier im Rahmen des Genres nicht hundertprozentig abgeliefert hat, ist Milla Jovovich – ihre Brüste sind zu klein.
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B-movie AF and the best RE as far as I’m concerned. The atmosphere of the desert is great and the scene with the birds and the battle in the streets of Las Vegas force me to give it a fourth star. The fight with the main villain, on the other hand, ends almost before it begins, which is a shame. Also, the ending leaves the door open for a fourth part and I’m quite looking forward to it.
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A different director for the third time, a different approach for the third time. Anderson's video game look and Witt's flamboyant jerking off over his own video have been replaced by Mulcahy’s honest craftsmanship with a post-apocalyptic world that admittedly can't match the intensity of Romero's ancestors. However, the film pleases through the unobtrusive detachment of a pure B-movie that relies on a straightforward plot without complicated ties to Umbrella, brisk action with sympathetically eye-catching CGI special effects (the bird attack), and solid work with horror suspense (the ending). Milla is still as stiff as the board she has on her chest, but the rest makes up for it quite well, so now and then a sympathetic catchphrase or a proper rough pose comes through. It’s a pleasant old-school film that has me surprisingly excited for the fourth installment.
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Better than the first two installments combined. All it took was to add a pleasantly exaggerated atmosphere, a brisk pace, and excellent action, and everything falls into place as it should. And I say that even from the perspective of a viewer for whom zombies have a hard time winning me over.
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It’s no genre milestone happening, but at least it’s a solid ride unlike the second one. Unfortunately, the ending is traditionally awkward (the concept of the superhero finale), but, there is an acceptable sense of humor (solid lines and a few delightful gore scenes). The atmosphere is decent, the zombies are brutally merciless, and Milla Jovovich is still as ugly as ever. At least it is not as stupid and action-lacking as the previous sequel. A decent standard within the genre.
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I enjoyed the previous two installments, mainly because they were based on the game but didn’t lack originality. The third installment is a kind of fusion of zombie movies and a softcore version of The Road Warrior. There are more heroic acts and emotional speeches, which is a shame. The theme had a lot more potential. This way it is rather average, and I'm giving it three stars only out of force of habit.
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