Kamera:
David TattersallMusik:
Michael GiacchinoBesetzung:
Emile Hirsch, Christina Ricci, Hiroyuki Sanada, John Goodman, Susan Sarandon, Matthew Fox, Scott Porter, Benno Fürmann, Richard Roundtree (mehr)Streaming (5)
Inhalte(1)
Der Asphalt ist seine Welt. Der junge Speed Racer hat nichts anderes im Kopf als schnelle Autos und immer mehr PS. Er ist der geborene Rennfahrer und mit dem von seinem Vater eigenhändig entwickelten Auto "Mach 5" bei jedem Rennen mit dabei. Als der Großindustrielle Royalton auf ihn aufmerksam wird und ihm ein lukratives Angebot unterbreitet, scheint seine Unabhängigkeit dahin. Doch Speed Racer findet heraus, was Royalton im Schilde führt, und rüstet mit seinem Vater zum Kampf. (ProSieben)
(mehr)Kritiken (13)
The first twenty minutes I joyfully wallowed in its ingenuity, stylization and precision that the Wachowskis shower at you both horizontally and vertically. But then the same happens over and over for the rest of the movie. Here and there a wonderful moment occurs, but mostly you just get a chimp gawping out at you from the screen. And I don’t mean the excellent as always Hirsch. In my eyes it gradually devolves into the level of a far too long tripped out paint by numbers book that isn’t shaken out of its over-combined lethargy until the very end. Personally, I was expecting something different and more bizarre. This was, Speedy’s adventures make a traditional infantile family movie about the right values, with a pinch of insight into basic capitalism for the very young. So, certainly baloney, but not much fun. Still I would like to recommend this epileptic’s paradise because you really don’t get the chance to see something like this every day. And, last but not least, for that feeling of speed that the Wachowski siblings (can’t call them brothers, can I?) are so skilled at instilling. P.S.: That monkey in the pajamas has an unpleasantly penetrating gaze. I still have the feeling that somebody’s looking at me. Brr.
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Wunderschön kinetisch, nicht nur bewegungstechnisch auf dem Bildschirm, sondern auch dank dem Verlauf der Geschichte. Wenn ich das hier als Kind sähe, schmetterte es mir meinen Grips durch die Nase heraus. Jedenfalls ist dies elegant, witzig, wird selbstbewusst erzählt und mit dem freaky-pastellartigen, an Mangas erinnernden Family-Chimpy-Style-Malbuch wirkt der Film nahezu poetisch knabenhaft. Sogar die Klischees, die mich manchmal nerven, sind in diesem frechen Spritzguss vollends geglättet und haben eine hohe Oktanzahl. WW mag zwar der Zeit voraus geeilt sein, diese vielleicht komplett verpasst haben, aber zum Teufel mit der Zeit, denn ich schaue mir ja schließlich Filme an und dieser funktioniert besser als jedes vorgefertigte 3D-Produkt. Die zusätzliche Speed Racer-Dimension besteht wahrscheinlich in der Kunst, einer komplexen, jedoch vollends vollends effizienten Maschine für eine einfache Geschichte zuzuhören. Familienfilme haben mich stets gelangweilt. Jetzt weiß ich auch warum. Keiner von ihnen sieht wie Speed Racer aus.
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Trotz meiner Abneigung gegen japanische Zeichentrickserien, trotz des albernen Humors, von dem es viel gibt, trotz der großen Menge an Klischees und trotz der dummen Figuren des kleinen Bruders und seines gezähmten Schimpansen… Habe ich mich eigentlich amüsiert. Nicht königlich oder unvergesslich, aber dank der großartigen visuellen Seite, der einfallsreichen Rennszenen und Giacchinos Musik ziemlich harmlos und eigentlich vom Anfang bis zum Ende. Drei und ein Stück.
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Nach Matrix haben sich die Wach-Brüder für etwas anderes entschieden, statt für ihre frühere, düstere Trilogie, die buchstäblich und wortwörtlich vor lauter Farben überläuft, die sich in diesen ungewöhnlichen visuellen Orgien vermischen. Storytechnisch ist der Film vielleicht nicht besonders originell, und der Großteil der Handlung ist vom ersten Moment an klar. Hier setzten die Regisseure vor allem darauf, dass der Film visuell fantasievoll ist und den Zuschauer in die gefährliche Welt der Autorennen und alles, was dazu gehört, hineinzieht. Und es hat mir ganz gut gefallen, bis auf die Szenen mit dem nervigen und unausstehlichen jüngeren Bruder, der ständig mit dem Schimpansen herumsprang - das hätten die Autoren weglassen oder zumindest einschränken können. Aber John Goodman war als griechisch-römischer Ringer der Beste! Kurz gesagt, es ist ein technisch erstklassiges Werk, aber im Vergleich zu Matrix fehlt ihm eine solide Geschichte.
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Brilliant! It’s a pity that the visionary visuals and direction of the Wachowskis is ruined by excessive childishness. I would throw the characters of the little brother and the chimp out of a skyscraper window, then I would scrape them from the street, bring them back up and throw them out again. But whatever, Speed Racer is an extraordinary and unique film and I can accept a couple of defects for all that beauty.
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A visual trip into the dimension of spilled colors and an absence of plot that perhaps only looks at family values and "sports" clichés. I’m not familiar with Japanese pop culture sources for manga comics, so after an hour and a half I was looking at the clock an unusual amount of times. Sure, it's new and unique and maybe someone will want to reference it now and then, but I don't think the Wachowskis are the kind of filmmakers suitable for family entertainment in which the children get lost and parents don't understand. While film theorists are feeling blissful, I find myself wondering how many balls the Wachowski brothers actually lost. The people at Warner were obviously on speed when they went into this, and they must have cried a lot over the 120 million.
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The races: a perfect spectacle, your eyes are amazed, your adrenaline rises, and you're subconsciously gripping the steering wheel and stepping on the pedal. The dialogue, comic relief, and everything else: disappointment, and often unexpected suffering. The parents make an effort, the brother rolls his eyes, and Trixie, a lovely sexy figure, winks her eyes and helps the main hero. And meanwhile, I'm praying for someone to step on that pedal again. It is truly a very uneven mixture, you climb into Speed's cockpit and you still don't get under his skin for even a bit throughout the two hours. And at that moment, any possible enthusiasm for the film as a whole ends for me. A visual orgy on zero background. This is supposedly how films are supposed to look in the future. I think (and I strongly hope) not. P.S.: Big plus for the mysterious Matthew Fox, who can create a deep character out of anything.
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So colorful... Oh yeah, this movie just blew me away. It raised the bar. I just loved it ;-) I waited, I went through it, and it paid off. I put it on at the exact moment I needed it the most. At the moment when it could consume me. Maybe if I'd let it in just a moment later or earlier, it wouldn't have gotten full marks. Clever as can be. :-D It's got juice.
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The audiovisual side of the movie is simply unbelievable. Painstaking racing scenes interspersed with a conflict between a family firm and a megalomaniac corporation represented by the slippery Roger Allam. Emile Hirsch gave a great performance in the role of Speed and I was equally surprised by Matthew Fox as the mysterious Racer X. Playful, sweet and funny (unfortunately sometimes too much so). Great for kids, remarkably digestible for adults.
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The Wachowskis show once again their technical skills and impress with an incredible range of perfectly tuned colors, visuals, a captivating concept of car races, and typical camera positions and shooting systems of some scenes. On the other hand, they have quite traditionally forgotten about the script, which oscillates between a “sketch” from a silly sitcom and entertainment for the whole family, especially for the younger ones. The plot is very dysfunctional, but technically breathtaking. The classic that we are used to, but this time we won't forgive it.
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I hereby accuse the Wachowskis of illicit visual exhibitionism and wasting their enormous storytelling talents on a subject so predictable and bound by the conventions of the cheapest family pathos. On the other hand, it is very rare (if not impossible) to see a film that captivates and engrosses the viewer with its original visuals and absolutely ingenious spatio-temporal construction, so much that you want to remain a part of the "cheap and stupid" and, above all, incredibly rich fictional world that is presented at a tremendous pace and on a voluminous plot. The first 15 minutes represent one of the most beautiful narrative stretches in the history of cinema, while the rest of the film never ceases to surprise with an avalanche of revolutionary filmmaking ideas and bold decisions that, as we can see, have no chance of bridging the model habits of a significant part of the viewing public. But that's okay, great films have always stirred controversy and greatness is relative, and Speed Racer – a bold experiment with its own stylistic elements, an infinitely energetic tide with fade in effects at the level of shots, genres, narrative approaches and the cinematic underworld of the Wachowskis as such – is undoubtedly a tremendous film, deserving of detailed analysis to defend its rejected systemic modes and rules. Maybe some day, further screenings are unavoidable.
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I really enjoy this kind of gamer and I don't mind Crank at all, but here I started getting a headache after ten minutes. I thanked God that the screen on which I was projecting the film only handles about 16 million colors and therefore about half of what the film imho is trying to offer. Anyway, it's an intention that doesn't sit well with me personally and there's no need to bury the film because of it. The races are fine, often too much so, and the vehement attempt to make it as uncluttered as possible at least gave a sense of elitism when I knew what was actually going on. BUT the film relies on it terribly. In fact, the races themselves are pretty much all the same except for a few minute details (weapons, hooking business in front of the cameras), and they mask it with changes of scenery, which is disappointing as hell. Otherwise, everything about the racing is absolutely AWFUL. Or I don't know, but you gotta figure that little shit with the monkey... it was completely unwatchable and I squirmed with embarrassment whenever they were in the frame. Unfortunately, someone got the bright idea to make them almost the main characters, and as a result, the dramatic scenes are interspersed with ho-hum scenes of the two misfits going to steal candy or riding a cart around the central oppressive evil capitalist. I'm not saying the Wachowskis haven't transcended the era, but if this is what the future of film is supposed to look like, then kiss my ass.
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This movie is a blast. The story is good, but if you're a fan of Japanese manga and anime, it'll be great for you. It's a visual orgy that's incredibly action-packed while still being family-friendly. It's mainly thanks to the excellent characters, which are clearly from the series but still work in a standalone film. The Wachowski siblings allowed themselves plenty of space and made the most of it.
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