Kamera:
Pablo RossoBesetzung:
Manuela Velasco, Javier Botet, Manuel Bronchud, Martha Carbonell, Clàudia Silva, Vicente Gil, Ferran Terraza, Pablo Rosso, Ana Isabel Velásquez (mehr)Streaming (1)
Inhalte(1)
TV-Reporterin Angela und ihr Kameramann begleiten nachts eine Feuerwehr-Crew. Alles ist ruhig, bis der Notruf einer alten Dame eingeht. Als sie eintreffen, hören sie fürchterliche Schreie. Die Reportage entwickelt sich zum teuflischen Albtraum: Gefangen in einem düsteren Gebäude, in dem das Böse lauert, nimmt das Grauen seinen Lauf. Es scheint, als ob ein mysteriöser Virus die Opfer zu blutgierigen Bestien mutieren lässt. (3L Film)
(mehr)Kritiken (10)
Although I'm glad that the "randomly filmed unorganized horror" format still works great, this time it might have been a bit too much for me. While I was willing to hold my breath during The Blair Witch Project and cower in fear during Cloverfield, [Rec] not only failed to make me identify with anyone (kill the reporter with her eternal "Keep filming! Film everything!") but the best parts are not about the atmosphere and the escalating tension, but rather about when there's a moment that stops my heart and bursts my eardrums. And even though those moments are really deadly, I need much more satisfaction than that.
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Die Autoren zeigen nichts Neues, sie kombinieren nur die Technik von Blair Witch Project mit der finalen Exposition aus Das Schweigen der Lämmer (der grüne Nachtmodus, ein ähnliches Milieu). Trotzdem hat ihr Low-Budget-Film meinen Adrenalinspiegel erhöht. Manchmal habe ich mich so sehr gefürchtet, dass ich wegsehen wollte (das ist mir in den letzten 15 Jahren kein einziges Mal passiert). Der Film hat ein richtig HEFTIGES Finale, weil er die Dimension der puren Unterhaltung in ein beunruhigendes Gefühl "it could happen" umwandelt. Brrr!
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Die Handcam ist saisonal IN, Zombies und Satansanhänger feiern bereits seit einigen Jahrzehnten Erfolge. Warum sollte man demnach all dies nicht zu einem großen Ganzen kombinieren, oder ... Außerdem funktioniert das Ganze als Einheit gut und wird gegen Ende recht solide gesteigert. Was jedoch dem Streifen den Boden unter den Füßen wegzieht, ist das protzige Spiel auf Effekte sowie die heftige Betonung von allem, was JETZT, AUTHENTISCH, SOFORT gefilmt wird. Das Erlebnis hiervon ist Zwang, Vorhersehbarkeit und eine nervenaufreibende Hysterie, wobei die sprichwörtlichen Flecken den ansonsten positiven Eindruck keineswegs trüben. [Rec] kann man mit Begeisterung und einem leicht nachsichtlichen Lächeln mitverfolgen, wobei es eine Art sympathische Aura ausstrahlt. Das nehm´ ich ...
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Man hat mir gesagt, dass ich mich fürchten werde. Und das hat gestimmt. In der Nacht und mit Kopfhörern auf den Ohren erschien mir nichts glaubhafter als die wilde Panik, die in [Rec] allmählich intensiver wurde, bis sie schließlich völlig ausgebrochen ist. Das alles mit unbekannten Gesichtern und mit einer Fernsehkamera aufgenommen… Das Zombie-Massaker nach dem bewährten Modell war deshalb noch intensiver, als ich erwartet habe.
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This movie is awesome! It’s been long since a horror film pulled me into the story in such way that I felt scared. REC is probably the best and most original zombie flick I’ve even seen and far above all the other films shot with a “handheld camera”. Unlike Blair Witch, it never gets boring (really, things move at full steam from beginning to end, there isn’t a single quiet moment), the characters are very believable in their fear, terror and ignorance, and their behaviour is logical (unlike Cloverfield). The old house and the fact that danger can lurk behind every door generate an amazing atmosphere that is best enjoyed watching the film alone and in the dark. I now must correct my ranking of favourite horror movies. Wholeheartedly recommended.
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An intense horror inferno in which the directors hit the viewer with such vigor that you won't care about the questionable handheld camera - even though it has a strong defense for being there given that it’s part of a TV show where journalists want to film everything. Knowing that there’s not much new you can do with zombies, the film brings an excellent group of characters to the scene, who crystalize in the calm opening so that you can cheer them on, tooth and nail, in the final inferno. The main character is a decent character and I realized that I haven't worried about anyone in a movie as much as I did about her in a long time. The few shocking moments (the fall down the stairs, the little girl with her mother) and the entire ending, starting with the entrance to the attic, is a chapter of its own, for which I would gild the filmmakers' hands. I’d have to look far back in time to find SUCH a quality horror film.
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If it weren’t for the ending in the secret room, my satisfaction would be almost boundless. Not because the finale in the attic is bad, but I didn’t think it fitted with what came before it at all. Simply the first hour seems out of place with the final fifteen minutes, and vice versa. But otherwise, everything is as it should be. Atmosphere cuttable by knife, ideas and ideal pace and it’s punchy and effective like an attack by Barça FC. I will definitely have to think hard about where to stay in Barcelona this time round. One thing I know for sure, I won’t stay in an old tenement block under any circumstances.
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I finally watched the horror movie Rec, which is praised by horror fans, and I must admit that I am somewhat disappointed with the result given the high ratings and the enthusiastic reviews. Partially, it may be due to my exaggerated expectations because it is certainly not a bad movie. I just expected that a movie with an 80% rating would have an original theme, story, or truly quality execution. I was disappointed by the subject because the mystery turned out to be yet another version of a zombie horror, and I have mentioned in my reviews before that zombies simply do not scare me, or rather I am not interested in them as a horror theme. I was also disappointed by the execution because Rec does not significantly innovate the theme, it only slightly modifies it with a pseudo-documentary style, which already appeared some time ago in The Blair Witch Project. Although Rec surpasses that movie by several orders of magnitude in terms of professionalism, it is evident that the crew shot it with enthusiasm, there is a lot of energy in it, and considering what it offers to the viewers, there are no dull moments. However, that is not enough for the fourth star. There are simply too many clichés in it. Because I have seen something similar already, I essentially know exactly when someone will jump at someone else and which one of the characters will scream next. I would have liked it if the creators had taken a different path because to incite fear, isolation in an surrounded house is more than enough - fear of unknown danger, uncertainty, claustrophobia, and rapidly spreading paranoia. As it is well known, people are most afraid of what they do not see. The most atmospheric shots for me were from the attic laboratory, and I got startled once when the bulkhead doors fell... Rec has a likable cast - not that obvious acting talents appear in it, as this type of movie does not allow for that, but it is pleasant to see unknown faces instead of constantly looking at the same faces of several acting stars. I was specifically annoyed by the handheld camera, which, of course, played a crucial role in the story, but most of the footage was unnecessarily shaky and ruined my impression. The cameraman was supposed to be a professional, and if he showed me in real life something similar in the style of a seizure combined with the withdrawal of an advanced addict, I wouldn't fire him, because I would just kill him right away... Overall impression: 55%.
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The fact that the Americans are currently lagging far behind Europe in horror filmmaking is something we have seen several times recently, and this Spanish psychological thriller is a prime example of the European domination. REC combines to perfection all the tried-and-tested horror techniques, such as handheld camerawork, shooting in a small space and the complete absence of music, resulting in a disturbing and bloody adrenaline ride with an appropriately short runtime that doesn't allow the viewer to slack off for a moment, forcing them to constantly chew their fingernails. The grand finale in the style of Silence of the Lambs deserves my respect just because I was sweating at least five times more intensely than in the case of the famous thriller. The potential for a sequel is great, but the bar is set perhaps too high. Very strong 4*.
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Big, big mistake that this missed theaters. A horror film with everything it needs. Severely brutal and especially towards the end I almost shit myself. I'm curious to see the second one...
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