Regie:
Jean-Luc GodardDrehbuch:
Jean-Luc GodardKamera:
Willy KurantBesetzung:
Jean-Pierre Léaud, Chantal Goya, Catherine-Isabelle Duport, Marlène Jobert, Michel Debord, Birger Malmsten, Brigitte Bardot, Med Hondo (mehr)Streaming (1)
Inhalte(1)
Als Paul im Winter des Jahres 1965 seinen Militärdienst beendet hat und zurück nach Paris kommt, lernt er dort Madeleine kennen, mit der er auch schnell, nachdem er sein Zimmer verloren hat, zusammenzieht. Madeleine lebt zusammen mit ihren Freundinnen Catherine und Elisabeth in einer Wohngemeinschaft, und auch Catherine hat ein Auge auf Paul geworfen. (Verleiher-Text)
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Kritiken (2)
Once again, we are presented with an examination of the influence of the all-pervasive ideology of emerging consumerism in the 1960s on the behavior of the characters - the young leftist Léaud (Marx's child?) and the youthful Chantal Goya (Coca-Cola's child?), who was already breaking through in show business. The observation of their coming together and subsequent distancing (the great scene with a wall between Marx and Cola, a wall between the ideal product and reality can be found towards the end of the film during the recording of an album in a music studio), made possible by the time period; reflection (and internalization?) of ongoing social processes (leading to its end) in Léaud's character, presented with typical Godard finesse - particularly in the sociological tuning in long shots of dialogues between individual characters (thus anticipating his future films, especially 2 or 3 Things I Know About Her), of course with distinctive editing, unexpected "intrusions" of music, and so on, all in an accessible and cohesive narrative form (thus reminiscent of his previous films).
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I enjoy dialogue-driven films, and this one had something to say, in that it eloquently discusses the time and the mindset of the youth. However, that doesn't change the fact that Godard didn't manage to captivate me that much. Nevertheless, it shows that the possibilities of cinema are truly vast; it all depends on how the filmmaker approaches the entire production. This is very personal.
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Galerie (55)
Photo © Svensk Filmindustri (SF) AB
![Masculin - Feminin oder: Die Kinder von Marx und Coca Cola - Filmfotos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/694/159694710_9c7c12.jpg)
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