The Imitation Game - Ein streng geheimes Leben
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The Imitation Game - Ein streng geheimes Leben (mehr)
Regie:
Morten TyldumDrehbuch:
Graham MooreKamera:
Oscar FauraMusik:
Alexandre DesplatBesetzung:
Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Allen Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote (mehr)Streaming (5)
Inhalte(1)
Die Enigma zerbricht den Forschern den Kopf: Das deutsche Kodiergerät verschlüsselt die Funksprüche der Wehrmacht und Marine. Mit Hochdruck arbeiten Mathematiker und andere Forscher im britischen Bletchley Park daran, den deutschen Code zu knacken. Schließlich gelingt einem jungen Genie, Alan Turing (Benedict Cumberbatch), der Durchbruch – die deutschen Funksprüche sind fortan kein Geheimnis mehr für die Alliierten. Jetzt gilt es jedoch, diesen Fortschritt zum bestgehüteten Geheimnis des Landes zu machen. Nur so kann verhindert werden, dass die Deutschen eine neue Verschlüsselung einsetzen. Turing wird zum gefeierten Star. Doch auch er hat ein Geheimnis, das nicht an falsche Ohren gelangen darf: Er ist homosexuell. Ein 'Vergehen', das im Großbritannien dieser Tage mit Haftstrafen und chemischen Kastrationen geahndet wird. Besonders sein Vorgesetzter, der MI6/SIS-Chef Stewart Menzies (Mark Strong), blickt mit Misstrauen auf seinen wichtigsten Geheimnisträger und ist nicht bereit, das leiseste Zeichen von Schwäche zu dulden. (SquareOne Entertainment)
(mehr)Kritiken (11)
Um eine Perfektion zu erzielen, müsste man dem Film ein wenig von der Wortwörtlichkeit und den hollywoodmäßig direkten Gefühlen (A Beautiful Mind - Genie und Wahnsinn) wegnehmen und ein wenig von der britischen Vornehmheit und dem Verstand hinzufügen (Dame, König, As, Spion). Wenn der Hauptheld ein Schwarzer wäre, würde das ein Film mit dem größten Oscar-Ehrgeiz sein. Cumberbatch ist ausgezeichnet.
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Obwohl die Geschichte nach einer überwiegend traditionellen (Achtung, nicht mit einer durchschnittlichen verwechseln) Biopic-Schablone gedreht wurde, kann man dem Film dank der fantastischen Schauspieler*innen, der tollen Ausstattung, der Regie, der Musik von Alexandre Desplat und der Stimmung vieles verzeihen. Der maximal glaubhafte Benedict Cumberbatch sollte eigentlich schon längst ein Patent für Kauz-Rollen haben – er ist großartig. Die charismatischen Darsteller*innen Mark Strong und Charles Dance haben es geschafft, mit ihm Schritt zu halten. Und Keira Knightley ist mehr als nur eine Zierde. Der Film ist gelungen.
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Of the eight films nominated for Oscars this year, a win for The Imitation Game would bring me the greatest pleasure. 85%
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An unenthusiastic 70%. The Imitation Game is the kind of film that every Oscar season must have, a well-executed real-life story about someone exceptional. This time we have Alan Turing, genius mathematician, rather asocial weirdo, and gay. Rather than the building of Turing’s machine and the breaking of the Enigma code, I was captivated by the moral dilemma related to the impossibility to use the broken code to save lives (they could have dedicated more time to that) and the way society treated a hero who happened to be different. Overall, it’s a good film, but I liked Tyldum’s previous thriller, Headhunters, a lot more.
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A beautiful and properly crafted depiction of one rather fundamental event that took place in the middle of Britain during the desolate period of World War II. Practically everything is great about it... despite the fact that encryption and Enigma have never appeared in any major interesting films that would be worth remembering and would not be boring. But along came Morten Tyldum and changed everything, along with the absolutely amazing Benedict Cumberbatch, who once again proved how great an actor he is and that Britain should consider him its national treasure. In any case, Keira Knightley is also unusually beautiful here, and I was also pleased with Charles Dance, who definitely deserves more roles in big films in his old age. Anyway, I would divide the film itself into two parts. That is, before the deciphering and after it, as before the deciphering, the suspense is on a completely different level. In terms of duration, the second part is a bit shorter. On the other hand, it is much more intense and at that moment the real emotions come. At that moment, I also realize that Alexandre Desplat’s soundtrack is fantastic. If there are any flaws in this movie then I didn’t notice them. I’d wish for Alan to meet a better end, but unfortunately that’s life for you. Especially at those times…
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Turing's Pure Soul that pays special attention to the (least) interesting aspects of his destinies (and when it pays special attention it is done in the style of cliché advertising like "when he goes, we also go" or "hurray" etc.) to sideline the most important and disproportionately interesting events which is strange. As a result, Cumberbatch's performance is particularly interesting. Not so much the performance itself (though this too) as in the context of his crucial roles, when after having performed characters of Hawking, Sherlock and Assange, this is already the fourth time when he plays similar role on paper, the archetype of the role of a "odd duck" genius, without in any way (or just a gesture) repeat the same performance over and over again.
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I cannot criticize anything significant about the film, and, in fact, I found it appealing from beginning to end and the writer and director managed to extract the maximum from the material offered. Let's face it, solving ciphers can be the basis for an exciting novel, but a gripping film needs more than just a view of a group of scientists pondering at a desk and solving complex equations. Benedict Cumberbatch handled the role of a quirky genius with homosexual tendencies very well, as expected. The film also doesn't shy away from the moral dilemmas associated with deciding what price is still worth paying to maintain a crucial secret for victory in the war. Overall impression: 85%.
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A drama tailor made for academics not intended to outrage or offend, but simply to tell us in the riveting story about part of the revealed mosaic of conspiracy that stood behind the victory of the Allies in the Second World War. Alan Turing is something like an idol in my field of study and maybe because I know a little more than made it into the movie, I can’t give it the highest rating. Even though this is a great and riveting picture. The finale is rather less interesting because it doesn’t show this star’s fall in full and reduces it to text explanations (what happened to Snow White and the cyanide apple?), it provokes some sad head shaking over the treatment of homosexuals in post-war Old England. I like the way the director Morten Tyldum, who I haven’t come across before, offers a slightly more in-depth insight into this lonely eccentric who only the wonderfully cute Keira Knightley could civilize. Cumberbatch is great, again in a slightly differently, giving a pleasant performance of an unpleasant... heh Dr. Spock of last century. We barely learn anything about the code and how it all worked. I suppose that’s what Wikipedia is for. That bothered me a bit. But as a drama about a strange person, The Imitation Game works wonderfully, due also to Desplat’s wonderful music (two nominations this year for the golden baldy speaks for itself).
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Valkyrie, but for the ladies. A less dramatic and slower film, yet still comprehensible than A Beautiful Mind, for instance. Benedict Cumberbatch excels and the is script's playful, precise, and interesting. It only becomes pathetic and descends into sentimentality when Keira Knightley starts flirting.
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An impressive piece of craftsmanship where weaknesses are hard to find. But that's probably because in a biopic of this calibre that from the beginning aspire to get golden statuettes, mistakes are not allowed. The film is admittedly a very cold, emotionally detached account of a significant period in the life of its equally cold, brilliant hero, who comes across as overly mechanical thanks to the performance of master Cumberbatch, who goes through the entire story with the unchanging expression of a "mathematical nerd", but at the same time it’s an extremely honest, sympathetically old-fashioned genre film that fulfils almost all the prescribed cinematic formulas, including that of Cumberbatch's speech, for there is probably no more believable portrayal of a mathematical nerd. But praise is also due to Alexandre Desplat, the set and costume designers, and especially Mr Turing himself, whose greatness, thanks to this film, I can no longer doubt. 80%
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I'm not sure to what extent the film plays with facts and what it fabricates, but it doesn't really matter because the story is believable, and that's what counts. There are great characters here, and somewhat predictably, Benedict Cumberbatch stands out, establishing himself as one of the best British actors of today. Or is he already the best? I like that the film has a broader perspective beyond just the war theme.
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