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Alicia Vikander, Mads Mikkelsen, Mikkel Boe Følsgaard, Trine Dyrholm, David Dencik, Thomas W. Gabrielsson, Cyron Melville, Bent Mejding (mehr)Streaming (4)
Inhalte(1)
Der junge Arzt Johann Friedrich Strunesee (Mads Mikkelsen) begleitet 1768 den dänischen König während einer Europareise und gewinnt so sein Vertrauen. Deshalb macht König Christian VII. (Mikkel Boe Folsgaard) ihn zu seinem Leibarzt. Doch statt das Vertrauen des Königs in Ehren zu halten, tritt er es mit Füßen und beginnt eine Affäre mit dessen Frau, Königin Caroline Mathilde (Alicia Vikander). Als der König jedoch hinter den Verrat kommt, soll dies weitreichende Folgen für Strunesee haben ... (Ascot Elite Filmv.)
(mehr)Kritiken (7)
Nordic cinema has definitely become popular in recent times, and even though Denmark is not exactly a Scandinavian country, it is very close to them. This is evident in the film, which is truly surprising. If you look at this year's Oscar nominations, you will find that foreign language films are not lacking. Why is this? First and foremost, it is because it is a film. Not everyone can master the craft, not everyone can transform a script into a believable story. Historical drama is quite challenging to bring to the screen because it must be believable. Historical events must fit together, costumes, scenery, transportation, furniture, everyday items, the environment, everything must evoke a sense that we are truly in the past and that we are witnessing the described period, in this case, the second half of the 18th century. In the film "Royal Affair," everything looks truly perfect, but that is not a guarantee that the film will be perfect in other aspects as well. More: http://www.filmovy-denik.cz/2013/02/kralovska-afera-2012-85.html
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Solide Arbeit in jeder Hinsicht, vielleicht auch schon zu solide und klassisch. Ich vermisste zumindest irgendetwas, was die Vorhersehbarkeit sowie die didaktische Natur zumindest leicht provozieren und durchbrechen würde. Allerdings zugegeben - dieser Film ist im Bezug zum Thema Aufklärung (Gleichmacherei) sowie der Verteidigung der Rechte des einfachen Mannes gegen die Willkür des Adels sowie der Kirche bei weitem ausgereifter als Ridley Scotts neueste Filme, und zwar zumindest deshalb, weil er sich auf die praktische Seite der Gleichmacherei konzentriert und den Charakter des "Befreiers" zum Thema hat". Außerdem funktioniert das Ganze gut als Liebesdreieck - insbesondere der Charakter des König Christian ist großartig und kann verschiedenartig betrachtet werden. Obwohl der Streifen sehr simpel und manchmal zu gähnend melodramatisch wirkt, ist es immer noch ein Film, der sein Geld wert ist - er beleidigt nicht, macht keinen Zuschauer zu einem Trottel und man ist hier bemüht, indirekt über aktuelle Probleme nachzudenken. Das Ergebnis mutet eher vorsichtig, jedoch sehr sympathisch an.
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Zufriedenstellend in jeder Hinsicht. Wer hätte gedacht, dass ein so kleiner europäischer Film aus der dänischen Geschichte so viel Freude bereiten könnte? Schließlich wissen wir, dass unsere Erfahrung mit der Aufklärung nicht gerade ein Spaziergang im Garten Eden war, warum sollten wir uns also nicht dank unserer gemeinsamen Wurzeln europäischer fühlen? Praktisch kein europäisches Land hat sich den Fortschritt durch irgend etwas verdienen können, so dass die sozialen Unruhen der letzten drei Jahrhunderte nur das Ergebnis einer ehrlichen Desillusionierung sind. Und genau darum geht es in diesem Film. Als Bonus gibt es natürlich das scharf geschnittene Gesicht von Mads Mikkelsen, der alles spielen kann und immer einen Hauch von verbotener Lust hat. Und natürlich die hervorragenden Kulissen, Kostüme und das Drama.
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A very nice movie about a very interesting historical event. I would really love to know how today’s Danes look at this part of their history. The performances are flawless and overall it’s so perfectly tuned that I never got bored, in spite of it pretty long run – and I’m certainly not a fan of historical dramas. Who is crazy? The King or someone who sincerely believes the world was created in six days?
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I really like period movies, but what often happens to me is that they start to bore me after a while because of the way they tell their story. Despite that, A Royal Affair is the exact opposite of such movies, so I got to enjoy it fully for more than two hours. Even though the story is told with historical accuracy, there isn’t a single moment that I would find outright boring. Mads Mikkelsen once again puts in an absolutely perfect performance, the setting of Czech palaces and the Czech landscape is simply amazing, and Alicia Vikander and Folgaard put in absolutely perfect performances in their roles. It’s actually really hard to believe that the Danish mobility could be capable of such bad things. You see I didn’t know anything about Danish history until I saw this film, which is why this strong story really surprised me. This is one of the best movies from the area of the nobility that I have ever seen and it’s great that our country had a little part in making that movie as well. And what makes it even greater is that after the Danish production finished this movie, they decided to shoot the most expensive Danish period movie in our country again. I’m looking forward to that one.
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The film features a quality cast. Mads Mikkelsen has rightfully gained recognition among viewers worldwide. The direction is decent, albeit conservative, but the weakness of the film is the screenplay, which cannot avoid excessive melodrama and black-and-white characters, as well as the schematic and simplistic depiction of historical processes. It's a 3-and-a-half-star rating, but considering the subject matter and my connection to enlightenment, this time I lean toward a higher rating. Overall impression: 70%.
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A gauntlet thrown down to the American and British often extremely overdone aristocratic tea parties of yesteryear. Although there are about twenty or so shots that alternate the brooding twenty-second glances of the two main characters, fortunately it’s not that bad. Whether the nobility actually practiced such body language in the past is hard to say, but it is extremely negative for the viewer's attention. In A Royal Affair, the European directorial signature is apparent very early on. It's a lush, suitably flamboyant piece with costumes and sets, the pace of which is linearly escalating as the running time draws to a close. The last five minutes are pure directorial magic and the story of the false accusation of a member of the court takes a fantastic turn, almost to the point of tragedy of gigantic proportions. The history of Denmark isn't well known, but this film makes you want to devour it from A to Z. This is where Alicia Vikander's incredible talent was apparently discovered. It's not 100 percent there yet, like The Danish Girl or The Light Between Oceans, but the potential cannot be denied.
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