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Luke ScottKamera:
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Kate Mara, Anya Taylor-Joy, Rose Leslie, Michael Yare, Toby Jones, Chris Sullivan, Boyd Holbrook, Vinette Robinson, Michelle Yeoh, Brian Cox (mehr)Streaming (5)
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Eine Krisenmanagerin (Kate Mara) wird zu einem abgelegenen, streng geheimen Ort geschickt, an dem sie einen schrecklichen Unfall prüfen und auswerten soll. Sie findet heraus, dass der Vorfall von einem scheinbar unschuldigen „Menschen" ausgelöst wurde, der selbst eine Art Mysterium ist - auf der einen Seite eine unglaubliche Verheißung und auf der anderen Seite eine unermessliche Gefahr. Ab Donnerstag, den 1. Dezember nur im Kino. (Fox Deutschland)
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Von Anfang an wirkt es wie ein schrecklich kluges Sci-Fi, aber nach einigen logischen Volten verwandelt es sich im letzten Drittel in ein gewöhnliches Gemetzel. Das Morgan Projekt ist wirklich gut gemacht und interessant besetzt, aber das größte Manko ist das Drehbuch, das aus dem wissenschaftlichen Team totale Idioten macht. Die überraschende Wendung am Ende war für mich vor allem überraschend, da ich sie im Gegensatz zu anderen Sehern hier überhaupt nicht erwartet habe. Und Lukas, Lukas ... Eine junge Anya Taylor-Joy als Hipster mit immer hochgezogener Kapuze wiederzubeleben? Wessen Idee war das? Papa Ridley hätte sicherlich etwas Besseres vorgeschlagen, wenn du ihn gefragt hättest.
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I felt cheated. I was led to believe this was a horror film but no matter how hard I looked, I found no elements of the horror genre. Then again, it wasn’t boring, even though I could hear the script desperately gasping for air at times. Watching the actions of the research team sometimes felt like watching a comedy. The plot did manage to surprise me, though. The downside was the cast. I expected much better from such a line-up.
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Guilty pleasure AF. An exceptionally well put together B-movie with an almost needlessly good cast. So what can you expect – especially after watching the well edited trailer – but something more ambitious, or at least more serious? Well, Morgan is neither very ambitious nor serious (though I’m afraid that the creators sometimes believe it is), but I chose to ignore that and had fairly good fun, to the point that I was surprised. The bonus is the most stupid group of scientists that’s ever been on screen (they will make you retroactively appreciate Prometheus!), and the almost pointless – though unexpected – final twist. If every bad film was as good as this, the world would be so beautiful!
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Luke Scott made a movie the same way I wrap a tent into its bag. I presume there must be some methodology to packing it more simply, more sensibly, without risk of damage, but in the interests of saving time I always find myself stuffing it in with my knee anyway, stomping on it with my foot, always managing in the end to cram a four-person shelter into a small carry-on, and with the last zipper unzipped I breathe a proud sigh of relief and feel like I've accomplished everything that was asked of me. Well, Morgan is the result of the same thinking, only in a film. This system can pay off if you’re pulling together a dynamic thriller with clear points A and B (The Gamer, Running Scared), but not if you’re trying to build a constant atmosphere of moral-ethical ambivalence with a big ba-dum-tss at the end that even the biggest Jindra Hojer figures out before the halfway point. Then suddenly, all the supporting characters are reduced to two or three simple expository scenes before the plot explodes, so the second half degenerates into a simple slasher ending (geez, in my last review I wrote the exact same thing about Alien Covenant, I guess it must be a raised-on-Ridley Scott thing) with the obligatory B-grade fight scene like in the golden days of Renny Harlin. It's probably obvious that if I had the desire to make a sci-fi about identity, an artificially created new evolutionary link, the road would be longer and muddier.
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Obviously more was expected from a horror film directed by Ridley Scott's son, but you have to start somewhere and I have little reason to grumble. On the plus side, the cast is very decent by B-movie standards. Young star Anya Taylor-Joy (The Witch) shines the brightest, but the rest of the more familiar acting faces are a joy to watch as well. The idea itself is interesting, I didn't find it too stupid, just not particularly intelligent either unfortunately, but the film is enjoyable to watch, the pacing is decent, the visuals are good and I liked the final killing sequence, even if the gore was pretty sparse. Based on the lukewarm reviews I expected worse, in the end I'm even surprised how watchable Morgan is. There's also an unexpected twist at the end. Story 5/10, Atmosphere 6/10, Gore 4/10, Visuals 7/10, Action 6/10, Suspense 6/10, Humour 0/10. Entertainment 7/10, Scares 0/10.
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