Der Hundertjährige, der aus dem Fenster stieg und verschwand
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Der Hundertjährige, der aus dem Fenster stieg und verschwand (mehr)
Regie:
Felix HerngrenKamera:
Göran HallbergMusik:
Matti ByeBesetzung:
Robert Gustafsson, Mia Skäringer, Iwar Wiklander, David Wiberg, Jens Hultén, David Shackleton, Ralph Carlsson, Georg Nikoloff, Alan Ford, Simon Säppenen (mehr)Streaming (4)
Inhalte(1)
Allan Karlsson (Robert Gustafsson) hat Geburtstag. Er wird 100 Jahre alt. Eigentlich ein Grund zu feiern. Doch während sich der Bürgermeister und die lokale Presse auf das große Spektakel vorbereiten, hat der Hundertjährige ganz andere Pläne: Er verschwindet einfach aus dem Altersheim und macht sich in Pantoffeln auf den Weg zum örtlichen Busbahnhof, wo er einem Jungen, schmierigen Kerl erst den Koffer klaut und dann ein Ticket nach irgendwo kauft. Was Allan nicht weiß: Im Koffer sind 50 Millionen Kronen aus Drogengeschäften und nicht die erhofften frischen Unterhosen. Schon bald ist nicht nur das halbe Land auf der Suche nach dem flüchtigen Rentner, sondern auch Schwedens Unterwelt. Doch mit solchen Dingen hat Allan seine Erfahrung. Er hat schließlich in jungen Jahren die ganze Welt durcheinander gebracht... (Concorde Filmverleih)
(mehr)Kritiken (8)
Indeed, in theme alone The Hundred Year-Old Man mines from Forrest's ramblings and adventures, and even in the fact that according to the reviews, this film follows its example by being better than the book. Unlike that Oscar-winning retard's journey through America, however, The Hundred-Year-Old Man is thankfully spiked with Scandinavian nihilism, and in a nutshell tells the story of how the Century of Lies was whizzed through and determined by an individual actually acting with utterly guileless, selfless, and sincere intentions. This is especially prominent in the final flashbacks, when the protagonist is a double agent between the CIA and the KGB, supplying both sides with fraudulent information from the adversary, which is funny, among other things, because this section adopts the formal devices of spy films. But it's the flashes of already utterly absurd humor that are the most delightful, led by the year-long explanation of the escape plan to Einstein's retarded brother or the post-mortem conclusion of a gang member's journey with a random suicide bomber in Djibouti.
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Ein klassischer Fall einer Filmadaption eines Buchbestsellers. Ich konnte mich überhaupt nicht davon freimachen, diesen Film ständig mit dem Buch zu vergleichen, und dabei kommt der Film überhaupt nicht gut weg. Ich verstehe, dass nicht alle Handlungslinien und alle Gestalten in den Film gelangen konnten, aber freiwillig auf die witzigsten Geschichten und Szenen verzichten? Konkret meine ich Nordkorea und den Iran. Und Paris hätte ich, ohne das Buch gelesen zu haben, wohl nicht verstanden. Und der beste Satz aus der Begegnung mit Stalin ist auch weggefallen. Und es ist auch so, dass man, wenn man eine eigene Vorstellung davon hat, wie die Figuren aussehen, die aus dem Film überhaupt nicht mag. Ich erkenne an, wenn ich das Buch nicht gelesen hätte, hätte ich dem Film eine bessere Bewertung gegeben.
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I didn’t mind that I didn’t read the book because the Swedes’ movie adaptation is a total gem. The Hundred-Year-Old Man is a story so incredibly funny that you simply can’t be bored watching it. It’s divided into two story lines; the past where the Old Man goes through his entire life and then the present which begins when the Old Man climbs out a window and disappears. In both cases, I can’t think of a crazier story and I believe that everyone would be smitten by this movie. It’s craziness on top of even more craziness, it’s a never-ending fun that keeps on going strong. I often thought of a Forest Gump comparison. But certainly not because the Old Man is stupid, not at all. It’s because he sails through life with such levity that I can’t help but envy him. A really beautiful movie. It made me happy, it was fun and it definitely lifted my spirits.
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The Scandinavians are hot right now. An excellent road movie with heart. It has a very original premise, lots of dark humour, an unexpectedly high body count and nice historical elements with lots of well-known personalities. This is great. 80%.
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I went to the cinema just wanting to have fun. This film absolutely delivered on that. I didn't expect anything from it, just that it would entertain me without putting me to sleep. I left happy and drained. Since I got exactly what I expected, I can't give it anything less than a full rating. And I haven't even read the book yet. EDIT: 10 Sep 2018 – now I have read the book, and I have to admit, I was more entertained by the movie.
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In the mid-90s, Robert Zemeckis came up with the idea of satirizing the famous American life optimism and love for happy endings in movies and combined them with the concept of classic tales about "stupid John" (you can adapt the name to whomever because similar motifs are universal), who, despite his passivity and minimal abilities, found happiness through good deeds. Forrest Gump was born - a simpleton who navigates through modern history without a scratch, leaving his mark everywhere and unknowingly influencing key events in American history. The Swedes decided to adapt a similar story to their own and based it on the best-selling novel by Jonas Jonasson. That film had romantic sentiment, and unfulfilled love, accompanied by the handsome face of Tom Hanks. The hero of the Swedish comedy is a sprightly old man to whom women never mattered much in life because he found the greatest excitement in explosives. The Swedish hero is not a fool, just somewhat self-centered and stubborn, who simply does his own thing and now and then - actually quite often - influences world events and is the driving force behind key turns on the political chessboard of Europe. He celebrates his birthday by escaping from the retirement home and, incidentally (as always by mistake), decimating a criminal gang, gaining a few good friends, and a suitcase full of money. This absurd comedy uses traditional outrageous and very black Scandinavian humor, and even though I wouldn't consider it the pinnacle of the Scandinavian comedy genre, it is definitely worth seeing because it is bursting with originality, energy, and exaggeration. Overall impression: 75%.
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The irresistible Nordic humour strikes again with full intensity after a long time. Although the story, based in no small part on the Forrest Gump narrative model, is far crazier and lampoons several important 20th century characters in a style that makes the level of hyperbole seem limitless, everything from the dialogue to the development of the dim-witted protagonist comes across as completely natural, the humour is constantly surprising, and the script manages to combine the two storylines perfectly into a highly original and distinctive whole. Don't expect any deep ideas, moral lessons and let alone a believable portrayal of modern history, just laugh and relax over a film so crazy, but at the same time so beautiful and unique.... And then there’s the book :) 85%
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I'm influenced by the source material, and there's no getting around it - the film looks like the creators didn't even read the book. The poetics of the characters completely disappeared, making them hardly believable, and that's precisely why they were beautiful. The filmmakers turn them into realistic characters, and thus the plot loses its charm and, actually, its tension as well. The fact that the plot was adapted is one thing, but this interpretation simply bothered me, annoyed me, and above all, didn't seem funny at all.
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