Regie:
Walter HillKamera:
Matthew F. LeonettiMusik:
James HornerBesetzung:
Arnold Schwarzenegger, Jim Belushi, Peter Boyle, Ed O'Ross, Laurence Fishburne, Gina Gershon, Richard Bright, Brent Jennings, Saveliy Kramarov (mehr)Streaming (4)
Inhalte(1)
Den schweigsamen und überkorrekten Ivan Danko, Moskaus besten Mann bei der Mordkommission, verschlägt es nach Chicago. Hier will er den skrupellosen Drogendealer Viktor Rostavili zur Strecke bringen. Dabei muss er mit dem etwas nachlässigen Cop Art Ridzik zusammen arbeiten. Das passt dem zackigen Russen ganz und gar nicht in den Kram... Ivan Danko ist kein gewöhnlicher Polizist. Seine Schweigsamkeit und Entschlossenheit haben ihm unter Kollegen den Spitznamen „Iron Jaw" - „Eisenbeißer" - eingebracht. Aber er ist und bleibt der beste Mann der Mordkommission von Moskau. Als sich sein großer Gegenspieler, der Drogendealer Viktor Rostavili, nach Chicago absetzt, macht sich auch Danko auf den Weg in den kapitalistischen Westen. Dort muss er mit Detective Sergeant Art Ridzik zusammenarbeiten - und der ist das genaue Gegenteil von Danko: nie um einen flotten Spruch verlegen, immer eine Kippe zwischen den Lippen und ein wenig nachlässig bei der Arbeit - was ihn aber nicht daran hindert, Chicagos bester Polizist zu sein. Natürlich mögen sich die beiden zunächst überhaupt nicht - bis sie die Jagd auf den russischen Drogenkönig zusammenschweißt. (RTL II)
(mehr)Kritiken (8)
A surprisingly funny and dynamic probe into Russian police practices. This time, it's the Americans who are incapable and the Russians are here to help, unusual roles that I wouldn't expect from Walter Hill. And the promising premise develops quite well. The screenplay is, of course, quite simple and not much happens in the film, but the wisecracks are brilliant and the duo of two such different policemen has a lot of charm. Additionally, Arnold in a Russian uniform, with plenty of one-liners and his unmistakable stiffness are simply and purely genius. The action is surprisingly skillfully shot and doesn't lack the necessary edge and speed. The typical craziness of the 1980s craziness (hairstyles, tough talk, unintentionally cheesy machismo) bothered me a bit at times, but it can be survived.
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Wer ist Dirty Harry? Ein direkter, klassischer Actionfilm, nicht mehr und nicht weniger. Die englische Fassung mit Untertiteln ist viel sympathischer als die synchronisierte Version. Im Film gibt es eine Reihe von unvergesslichen Szenen (schon nur der Moskau-Anfang!) und Arnold Schwarzenegger und James Belushi ergänzen sich ausgezeichnet. Der blutigen dynamischen Action von Walter Hill kann man eigentlich nichts vorhalten.
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Arnold Schwarzeneggers Rolle als eifriger sowjetischer Polizist passt perfekt und seine Interaktion mit der kapitalistischen Welt seines Partners Jim Belushi versorgt den Film mit einer ziemlich ordentlichen Dosis Sarkasmus und politisch unkorrektem Humor. Ansonsten handelt es sich um einen ziemlich soliden Film mit einer gewöhnlichen Handlung über die Jagd nach einem heiseren Drogendealer, bei dem diesmal Ost und West ihre Kräfte vereinen. Darüber hinaus treten in Nebenrollen auch Morpheus und Otík aus Heimat, süße Heimat auf. Also, was könnte der Zuschauer noch mehr wollen?
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I be in sauna. I go to West. In West different ideologia. It evil. My good. My Western partner bad. I slap some. My Western partner not so bad. I drive bus. I get watch. My Western partner not at all bad. He good man like me. I must fly home now. I at in good Commie movie, it good in my filmographia. I very satisfactory.
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The older the movie, the better it is. Nowadays, it's hard to find such a picture. Corpses are piled on top of each other and everyone is vulgar. Just the good old '80s. Schwarzenegger (in top form) is a classic Soviet "robot"" and James Belushi is a classic incompetent American cop. So there's no shortage of entertaining situations or action. I don't think anyone's ever going to shoot a bus chase like that again. Oh my, I was transported back to my childhood. By the way, did anyone notice János Bán’s "Otík" from My Sweet Little Village? :-)
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Arnold is excellent again, he doesn't overact unnecessarily and with his motherfucker expression he easily outshines everything between Moscow and Chicago. His capitalist sidekick Belushi, though he gains some sympathy with his performance, feels as if he was there only to make Arnold's iconicity more visible. Story-wise, it’s one of those mediocre 80's B-movies that, apart from the pile of dead and maimed, is interesting mainly because the cold and principled Soviet is played by the embodiment of the modern American dream – but thank God for that... 60%
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The combination of the tough Soviet cop Arnie and the constantly wisecracking womanizer Belushi sounds fantastic on paper. But if I’m to be completely honest… the film didn’t fully realize its potential, unfortunately. On the other hand, it’s still a fairly successful B-movie where a few lines became legendary slogans ("Cocainum"). And actually, the action doesn’t feel outdated; I’ve never seen a final showdown with the villain that involves a chase with two buses destroying half of Chicago during their ride. And what about the story itself? Well… don’t expect anything sophisticated; at times, I’d call it genuine 80s trash (but in a good way :D). And how about the two main actors? I think Arnie nailed his role, and it was amusing to see him speak Russian with a heavy Austrian accent. Belushi played his part competently (though at times he did throw out some rather cringeworthy lines). But oh well. As a quick afternoon watch, it works just fine. For me, it’s a 6.5/10.
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In the late 1980s, Arnie (like Sly in Tango & Cash) tried to break into comedy with a buddy cop film that not many people remember today, because it was eventually overshadowed by his other comedy, Twins, from the same year. Red Heat was directed by Walter Hill, so it's not surprising that the humour combines with brutal violence and raw atmosphere. Sentimentality is kept to a minimum, so there’s not much of a bromance, a typical element of the subgenre. A few years earlier, Hill had basically kick-started a wave of buddy cop comedies with 48 Hours. Red Heat, however, is the first and perhaps only buddy cop film to bring together an American and a Soviet. It's a sort of cross between Lethal Weapon and Rocky IV, reflecting the then-loosening relations between the US and the Soviet Union. The Soviets are no longer seen as enemies, but as someone with whom Americans can join forces against a common enemy (international drug smugglers). The American viewer could sympathize with the protagonist, who is something of a Soviet Dirty Harry, despite the fact that he ultimately did not defect and remained a proud Soviet patriot (unlike in Red Scorpion of the same year). Another virtue of Red Heat is that it is the first American film to be shot in the Red Square (albeit without the approval of the Soviet government). But it still portrays the Soviet Union in a caricatured way – the way Americans imagined it in the 1980s. So there is an enormous amount of hilariously silly stereotypes, which are served up to the audience with stony seriousness. And I can't help but think that's what makes the film so much fun. Something so grotesquely absurd would not be made today. Right from the start, we're deafened by Horner's hard-edged variation on Prokofiev's Cantata for the 20th anniversary of the October Revolution, which is underscored by shots of Soviet soldiers marching proudly through the Red Square and majestic cuts to statues of Lenin and Marx. The opening credits are appropriately stylized in Cyrillic (with the letter "R" reversed), although the Soviets in the film principally use the Latin alphabet when writing in Russian (WTF?). Arnold, who speaks a lot of Russian here, spouts memorable expressions such as "kapitalizm", "kchuligany" or "kokainum" (which have been the target of many musical remixes on YouTube). Fights between half-naked men in the snow, the ripping off of artificial legs full of cocaine and bus chases are then treated as the usual routine of ordinary Soviet cops. It's all crowned by the final shot of Arnold in a Soviet uniform, saluting for no reason in the middle of the Red Square. No wonder Russian audiences are said to regard Red Heat as a brilliant parody that leaves them dying in laughter. However, the harsher Soviet police practices ultimately win out in the film and prove more effective in fighting criminals than American bureaucratic practices. The humour here, of course, comes from the banter between the representatives of the two different superpowers. Ivan Danko (Schwarzenegger) is a disciplined, taciturn Soviet cop who doesn't understand English metaphors and reacts to everything with cold apathy, in short, a role where Arnold could apply his Terminator acting experience and his strong accent. Art Ridzik (Jim Belushi), on the other hand, is a sloppy, foul-mouthed American cop, fond of hamburgers and doughnuts – perhaps Jim Belushi's best role. And Ed O'Ross, is absolutely flawless as the slick bad guy. Of course, there's plenty of proper 80s action.
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