Regie:
James IvoryDrehbuch:
Ruth Prawer JhabvalaKamera:
Tony Pierce-RobertsMusik:
Richard RobbinsBesetzung:
Anthony Hopkins, Emma Thompson, James Fox, Christopher Reeve, Peter Vaughan, Hugh Grant, Michael Lonsdale, Patrick Godfrey, Peter Cellier, Ben Chaplin (mehr)Streaming (3)
Inhalte(1)
Auf einer Autofahrt durchs England der Nachkriegszeit wird der alternde Butler Stevens von Erinnerungen überflutet: An Lord Darlington, dem er treu ergeben war und der nach dem Krieg als Verräter verurteilt wurde; an die von ihm heimlich verehrte Haushälterin Miss Kenton, die aus Resignation einen anderen heiratete; und an den prächtigen Landsitz Darlington Hall, wo sich die Reichen und Mächtigen zu treffen pflegten. „Was vom Tage übrigblieb" zeigt das spätviktorianische England, welches seine Unmenschlichkeit hinter Anstandsregeln und verinnerlichter Knechtschaft verschleierte. (arte)
(mehr)Kritiken (6)
Eine langsame, dezente Geschichte einer unerfüllten Liebe. Sie wurde so gefühlvoll und aufmerksam aufgenommen, dass man als Zuschauer kaum atmet. Ein psychologisches Meisterwerk. Jede Sekunde, jedes Zittern, jede Geste, jeder Blick zwischen Anthony Hopkins und Emma Thompson – das alles ist perfekt.
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Genauso wie ich Wiedersehen in Howards End nie gesehen hatte, hatte ich Was vom Tage übrigblieb nur als vage Erinnerung an einen interessanten Trailer aus den Tagen des VHS-Verleihs in meinem Kopf gespeichert. Der Eindruck war jedoch so stark, dass es kein Problem war, sich für die Möglichkeit zu begeistern, den ganzen Film auf der großen Leinwand zu sehen. Und in der Tat, er hat mich nicht enttäuscht, im Gegenteil, er hat meine Erwartungen übertroffen. Eine starke schauspielerische Leistung ganz nach meinem Geschmack, wie es der Körper verlangt. #LFŠ
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The politics of appeasement as seen through the lens of (non)romance, where seductive glances, sentences of mutual affection or any confession of feelings are out of the question. All the tensions that create sensuality are hidden in the simple addresses of "mister/miss" and distant compliments of a job well done. A character study of an individual seemingly devoid of opinions, emotions and personal life, very well written and very well acted. An individual whose personality is "I am here to serve". A sophisticated and subdued "just so" look at the great themes of life and history. Despite its apparent coldness (or is it because of it?), it is first and foremost about vivid characters and steaming emotions. And that, ironically, without any emotions at all; let alone steaming ones.
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The little things that move you, the gazes that see into the deepest corners of the soul, and only a gesture missing for a feeling of bliss. The perfect main duo of actors elevates The Remains of the Day to the most impressive heights, and even the absence of a final climax can't bring it down.
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In short and without exaggeration, The Remains of the Day can be described as an exceptionally impressive and meticulously directed film, one of those essential titles that frame the development of a certain genre and become part of its golden fund. The psychological study of a man who elevated loyalty and strict fulfillment of his duties to an absolute goal and sacrificed his personal life, including the chance to start his own family, is set in the period of the 1930s and 1940s. The story takes place not only in the luxurious residence of the British aristocracy, where the traditional social life of the upper classes was held but also in high-level political meetings that became the preparation and prelude to World War II. The owner of the estate was one of the architects of the appeasement policy. The viewer can indirectly witness how the failure leading to millions of dead and devastated continents was born during the meetings of those who considered themselves the social elite. In any case, we can take away the experience of top-notch acting by Anthony Hopkins and Emma Thompson. Overall impression: 95%.
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The story is told at a slow pace and it is up to the viewer whether they are willing to accept the fact that not much actually happens in it. The director focuses solely on detailed character studies, their feelings, and emotions, but when it comes to the film as a whole, I have to admit that I had quite big problems to maintain all of my attention in some passages.
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