Regie:
Stanley KubrickDrehbuch:
Stanley KubrickKamera:
Lucien BallardMusik:
Gerald FriedBesetzung:
Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Ted de Corsia, Elisha Cook Jr., Joe Sawyer, Marie Windsor, James Edwards, Joe Turkel (mehr)Streaming (1)
Inhalte(1)
Ein Ex-Sträfling organisiert einen minutiös geplanten Überfall auf eine Rennbahn. Doch der Coup droht am Verrat einer Frau zu scheitern. Johnny Clay hat fünf Jahre Zuchthaus hinter sich, als er zusammen mit seinem Freund Marvin Unger einen neuen Coup plant: Sie wollen die Kasse einer Pferderennbahn ausrauben und erhoffen sich davon rund zwei Millionen Dollar Beute. Um den Raubüberfall ausführen zu können, brauchen sie weitere Helfer. Sie finden sie in dem Rennbahnkassierer George Peatty, dem hoch verschuldeten Polizisten Randy Kennan und in Mike O'Reilly, der als Barkeeper an der Rennbahn arbeitet und dringend Geld für die Behandlung seiner schwer kranken Frau braucht. Am Tag des Überfalls läuft zunächst alles planmäßig. Clay kann das Geld an sich bringen und unerkannt entkommen. Weder er noch seine Komplizen ahnen zu diesem Zeitpunkt, dass Sherry Peatty, die geldgierige Ehefrau des Kassierers, ihr Vorhaben an ihren Geliebten Val Cannon verraten hat, was fatale Folgen hat. (3sat)
(mehr)Kritiken (6)
Vom Kontext her finde ich The Killing noch schlimmer als Der Tiger von New York, denn das war wenigstens eine geradlinige Geschichte, das hier ist einfach nur verzweifelt und verkrampft. Extreme Arbeit mit der Musik, ein parodistischer Erzähler, wahnsinnige nicht-schauspielerische Leistungen...
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Riveting film. That said, the plan of the burglars was very far from perfect. There were so many things that could have gone wrong, even without Sherry, that all that brouhaha about a flawless plan must have been some sort of sophisticated joke by Kubrick.
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If it weren’t for the bothersome and absolutely inappropriate music, I would have no fundamental objections. A clever story, a cold atmosphere, with an overall feeling of cynicism. But I would really like to know why the barman became involved when the task of smuggling in the package could have easily be taken by George. Taking unnecessary risks doesn’t suit such an otherwise perfect plan. P.S.: And reading other reviews, I see that I’m not the only one to be surprised by that.
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A great noir-heist film with a devastating twist. The non-linear narrative that was a huge influence on Tarantino's Reservoir Dogs is something unheard of in a 1960s film, but then so was Stanley Kubrick. The portrayal of the characters is austere but sufficient, the actors are great and the dialogues are brilliant. There’s brutal black humour in unexpected places, and the ending is great.
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Kubrick is God and I've made sure several times that I can get everything from him. While the trio The Shining-Odyssey-Full Metal Jacket is far superior to his other films and represents for me the pinnacle of cinema as a whole, even the lesser known The Killing clearly shows the director's immense talent and incredible precision. The story is extremely fast-paced, the retrospective narrative is done to perfection and the final half hour or so is like a balm for the soul of all genre connoisseurs. Together with Hitchcock's Strangers on a Train, it's the best film-noir I've seen so far.
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When I watch something by Kubrick, I'm glued to the screen, eager to know what will happen in the next scene. Here you can really see how much he controlled the performances and ensured that everyone did exactly what he wanted. He continues with highly condensed close-ups of faces and manages to properly build up each scene, including the horse racing scene that most creators would handle routinely. I quite like that Kubrick continues to use voiceover narration. In the violent scenes, weaknesses are visible, but even that gradually improved as A Clockwork Orange can attest to. This Killing really is killing.
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