Regie:
David LynchDrehbuch:
David LynchKamera:
Frederick ElmesMusik:
Angelo BadalamentiBesetzung:
Kyle MacLachlan, Dennis Hopper, Laura Dern, Isabella Rossellini, Hope Lange, Dean Stockwell, George Dickerson, Priscilla Pointer, Brad Dourif (mehr)Inhalte(1)
Schmucke Vorgärten, wohlerzogene Schulkinder und Menschen, die liebevoll ihren Rasen pflegen: Das ist Lumberton, eine typisch amerikanische Kleinstadt. Doch hinter dem scheinbaren Idyll lauert ein finsterer Abgrund... Am hellichten Tag macht Collegestudent Jeffrey Beaumont (Kyle MacLachlan) einen grausigen Fund: Auf einer Wiese liegt ein abgetrenntes menschliches Ohr. Durch seine Nachforschungen zusammen mit der hübschen Polizistentochter (Laura Dern) begegnet Jeffrey der verführerischen Nachclubsängerin Dorothy (Isabella Rossellini) und dem drogensüchtigen Sadist Frank (Dennis Hopper). Bald ist Jeffrey in einer ihm bisher unbekannten, verstörenden Welt, in einem mörderischen Bann voller abgründiger Leidenschaft und Gewalt - bis es kein Zurück mehr gibt... (MGM Home Entertainment)
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Eine sehr… sehr… sehr… schöne, zarte und poetische Geschichte über die Liebe und darüber, wie das Gute das Böse besiegt. Eine emotionale und geistige Katharsis, ein Film aus einer anderen Welt.
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A cinematic trance like a film by Maya Deren, but with a plot. A detective movie. Probably. Lynch knows how to titillate his viewers’ subconscious. By the end, I was convinced that the world would not be okay without a maniacal Hopper screaming “LET'S FUCK!” 85%
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"It's a strange world, isn’t it?" Not even Mike Tyson and his sudden urge to chew on something during his fight with Holyfield could conjure up such a great film about one ownerless ear. Because Blue Velvet is basically a regular thriller. It’s just processed by Lynch’s bizarre imagination hemisphere, more moderate than usual, considerably sedated by pills. This gave rise to the most viewer-friendly Lynch movie (more than Dune and Alvin). Which doesn’t mean for a minute that it makes any sense at all. Like this review. And now who can tell me what the poet wanted to say? Maybe just that blue is simply good, in spite of the irritating over-acting from Laura Dern and Dennis Hopper. So in the end Lynch has mainly himself to thank, and Badalamenti too. I’m almost tempted to declare that the latter deserves most thanks.
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A noir romance with tons of evidence that it's simply necessary to find your own path to David Lynch. Sometimes it doesn't work out, other times it becomes an unforgettable experience. Kyle MacLachlan's naivety, hand in hand with Isabella Rossellini's elusive aura, created a spectacle that cannot be told, only experienced. The crazy Dennis Hopper would have had to be slightly less explosive and temperamental for me to give this the highest rating.
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Blue Velvet is somewhere between a normal film and a normal work by Lynch. If you are looking for deeper meaning, you won’t find it, because the only big thesis isn’t hidden but clearly shown, and it’s almost surprisingly banal at that. However, this banality doesn’t correspond to the film itself, which wants to look nicely perverted and weird, though, unlike Lost Highway, for instance, it’s not weird at all. A major reason for the four-star rating is Dennis Hopper in the role of a maniacal freak, he plays a non-small part in making the film as interesting as it is.
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