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Am 21. Oktober 1994 begeben sich die drei Filmstudenten Heather Donahue, Joshua Leonard und Michael Williams in den Black Hills Forest in Maryland. Dort wollen sie einen Dokumentarfilm über eine Spukgestalt und regionale Legende drehen, die so genannte Hexe von Blair. Man hört nie wieder von ihnen... Doch ein Jahr später wird ihr Filmmaterial gefunden. Die erhaltenen Filmaufnahmen sind ihr Vermächtnis. Sie zeigen die letzten Tage der Filmemacher, ihre quälende fünftägige Wanderung durch den undurchdringlichen Wald und fangen die Grauen erregenden Vorgänge ein, die zu ihrem Verschwinden führen... (Kinowelt)
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Einer der innovativsten und ausgefeiltesten Filme des Genres. In seiner Entstehungszeit hat es aber noch niemand gewusst. Wenn Sie HORRORFILME mögen und wenn Sie sich fürchten WOLLEN, schauen Sie sich diesen Film an.
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Wenn ich diesen Film in seiner Entstehungszeit gesehen hätte, wäre ich sicher zufriedener gewesen. Im Jahr 2023 muss ich sagen, dass der größte Zauber von Blair Witch Project irgendwie verschwunden ist. Der Film hat ein ähnliches Schicksal wie z. B. das Hörspiel "Der Krieg der Welten". Er ist nicht schlecht, man kann ihn aber nicht so wie im Jahr 1999 genießen. Zu dieser Zeit war er wirklich einzigartig. Ich weiß, es ist mein Fehler. Andererseits muss man dazusagen, dass bei King Kong und die weiße Frau, Hitchcocks Psycho oder Der weiße Hai so etwas nicht passiert ist. Nichtsdestoweniger hat Blair Witch Project in den Nachtszenen eine dichte Stimmung. In diesen Momenten habe ich versucht, nicht zu zwinkern, um etwas zu erblicken… Was dort letztendlich nicht (zu sehen) war.
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Besides an intensive feeling of dread, this film causes bursts of aggression. Should I worry about my mental condition when watching it makes want to wring the neck of the female lead? 80%
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Sam Raimi taught us over twenty years ago in Evil Dead that nothing good hides in the dark forests, and The Blair Witch Project adds that the biggest carriers of fear are people themselves. If this film is taken as a pure cinematic experiment that a "serious" filmmaker would avoid, it can be considered a "serious" spectacle. Otherwise, it can be seen quite off because as a whole, this film offers nothing beyond the trio of scared students, plenty of cursing, shaky handheld "eights" and "sixteens," and absolutely nothing else, not even music. Indeed, it's hard to believe that the cracking of branches, unknown giggling, or children's screams can evoke a sense of horror that makes one's hair stand on end. Just as the presentation of The Blair Witch Project is very personal, so too will each viewer's perspective be as personal, because everything there is to love about it can be criticized without any inhibitions. I’m giving it four stars for the original idea and also for the fact that in the final ten minutes, I almost crushed the remote control that I was holding in my hand.
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I didn't find it scary at any point, and let’s not talk about the atmosphere and the actors. But I'm fascinated by how much the filmmakers, on such a non-existent budget backed up by the brilliant website of its time, caught naive people out with a fable about a real documentary. When I was at school, almost everyone believed it.
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This is how a cult is created. With a good idea, a well-thought-out campaign, and an ending that will be discussed long after the credits. I recommend watching it for the first time alone at night, you will never forget it. The final three minutes are still the peak of horror for me. However, even after years, I have no intention of testing the effectiveness of the situation.
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I avoided this movie back when it came out with the thought that it wouldn't be my cup of tea. If I had listened to my instinct, I wouldn't have wasted a few bucks and almost 90 minutes of my precious time. But as years go by, as they say, people become foolish. So I was expecting many things, but I have to admit that I was equally shocked. While watching it, I had to constantly remind myself of the fairy tale "The Emperor's New Clothes", for which I have a personal version based on my own experiences. Once upon a time, in the 80s, a friend came up with the idea of teasing others and pulled out genuine marijuana, when he mixed used tobacco with several terrifying ingredients (yes, even just thinking about it now makes me feel sick) and let others smoke it. Everyone felt incredibly sick, but they all spread rumors that it was an incredibly beautiful experience, and not only that, they even believed it because, over the years, when at least some of them experienced the real taste and effects of marijuana, they still reminisced about their first experience with it. It's a bit like that with this movie, which is one of those that aren't interesting from a cinematic perspective, but rather from reading enthusiastic reviews. This sort of awkwardness isn't even seen in the works of film school students, and the desperate absence of anything that could be called an atmosphere with a large dose of imagination is unbelievable. This film doesn't contain a single interesting shot, a single cinematically interesting moment, or a single acting performance, and the only thing commendable is the marketing, which cleverly utilized the emerging phenomenon of the internet in the 90s to launch its advertising campaign and build a reputation as an independent cult film. After watching it, I had a night shift and climbed up the ladders of the technological shafts of a power plant block, where I didn't encounter a soul all night and only listened to the monotonous sound of fans and operating technological units. Sporadic lighting, insulation, and giant machines. If this film even had a hint of horror potential, I should have at least felt a breeze of fear. But it was nonexistent. This cult completely passed me by, and truth be told, I understand it the least out of all of them. Overall impression: 0%.
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Rubbish that denies the assumption that a successful film should offer a distinctive story or a well though-out concept. The only artistic motivation of Blair Witch is to “look like real footage” and it succeeded only because viewers weren’t yet able to debunk that “authenticity”. If this film was released today, it wouldn’t make any waves. 90% of its runtime is people being lost in the woods and the remaining 10% is filled with some sort of tension when the wandering in the woods moves into a scary cabin. It has cult status and won’t deny it, but personally I hate it and it bores me like most other found-footage movies (with the exception of: Cloverfield, REC and Troll Hunter, and actually even Jákl’s Ghoul is quite better). 20%
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At the time of its release, The Blair Witch Project was literally a revelation in our movie theaters. I remember being scared shitless during the screening. It felt so authentic that I was really scared once when I got lost in the woods while looking for mushrooms and managed to get out of it only about two hours after dark. I immediately recalled this film. I consider The Blair Witch Project to be a near-perfect mystifying horror film. Moreover, those woods near Burkitsville, Maryland, have so much in common with the ones near where I live that I couldn't set foot in them for weeks after seeing it. (85%)
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