Regie:
Frederikke AspöckDrehbuch:
Lars HusumKamera:
Louise McLaughlinMusik:
Rasmus Bille BähnckeBesetzung:
Jacob Lohmann, Anders Matthesen, Christopher Læssø, Morten Hebsgaard, Søren Malling, Finn Nielsen, Anders Brink Madsen, Peder Thomas Pedersen (mehr)Inhalte(1)
Markus does not feel safe in the prison yard. The others are rough and tough gangsters with a potential for violence, while he is just a jet-set reveler of a businessman with financial capital that took but a few shortcuts in the business world. It doesn’t take long before he is forced to move to the closed unit, where rapists and pedophiles are located. And above all, they sing. The prison choir is the internees’ most important activity, and Makus immediately wants to seize the conductor’s baton. With perfect pitch, Frederikke Aspöck narrates about power games, forgiveness and Rasmus Seebach songs in a star-packed comedy with pensive root chords. (Göteborg Film Festival)
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Kritiken (3)
Eine düstere, hyperschwarze, gut inszenierte und leider auch etwas untertriebene Dramödie über den Zusammenstoß zwischen einem amoralischen Opportunisten und kranken Menschen. In gewisser Weise steht es in der Tradition der grenzwertigen ethischen Werke von Anders Thomas Jensen, ohne jedoch zu sehr zu vermenschlichen zu wollen. Sympathie, paradoxerweise.
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A dominant alpha male accustomed to controlling and having both a formal and informal influence on things faces a situation that life did not prepare him for. His financial operations resulted in too much loss of money for a too large group of trusting individuals for him to remain free. A detention facility is not a friendly place to live, especially when one of the powerful underworld bosses ranks among those licking their wounds from a failed investment. Will he be able to adapt to the new situation and take advantage of the chance to start over and do better, or will old habits prevail? It's a decent concept and the strong cast of actors cannot hide the fact that the script wanted to play a little longer and Aspöck's direction is not particularly amazing. In the end, my overall impression is a respectable 65%.
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I really enjoyed this prison environment drama, laced with cynical humor. The story of investment banker Markus touches on very topical issues of our time, with the protagonist able to manipulate the audience as ruthlessly as he manipulates his fellow inmates and gullible guards to achieve his own selfish ends. It is a graphic demonstration of how easily we are fooled. (80%)
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Galerie (16)
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