Regie:
George A. RomeroDrehbuch:
George A. RomeroKamera:
Adam SwicaMusik:
Donald RubinsteinBesetzung:
Jason Flemyng, Peter Stormare, Leslie Hope, Tom Atkins, Jonathan Higgins, Boyd Banks, Neil Crone, Peter Mensah, Ari Cohen, Michale Graves, Nina Garbiras (mehr)Inhalte(1)
Henry Creedlow ist ein unauffälliger Mann, der sich anpasst und an die Regeln hält. Eines morgens wacht er auf und stellt fest, dass sein Gesicht verschwunden ist. Ohne Gesicht, also ohne Identität, findet Henry den Mut, die Menschen zu bestrafen, die ihn seit Jahren schlecht behandeln. Etwa seine Frau, die ihn betrogen hat, seinen Freund, der ihn bestohlen hat, seinen Chef, der ihn wie Dreck behandelt hat. Die Polizei verfolgt ihn, kann ihn jedoch nicht identifizieren. Doch eines Tages kommt sein Gesicht zurück - schmaler, stärker, härter als zuvor. Es ist das Gesicht eines Mannes, der gelernt hat, für sich selbst einzustehen und seinen eigenen Regeln zu folgen. (ZDFneo)
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Bruiser seems to generally not be well-received, but to me, George A. Romero showed through it that he can direct other films that won't just be about zombies that have overrun the land. I had a good time with the film and was curious to see how each character would end up. Not all deaths are overly inventive, but that's because Henry is somewhat finding himself. The last, almost bonus scene, put a smile on my face.
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Bruiser is no masterpiece of a film, but I still can't help but enjoy it. Jason Flemyng was excellent here (as always), Peter Stormare proved again that he was born for the role of a freak. The result was a sort of a B-movie version of Falling Down. 3*+
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A young man is down on his luck. His boss fucks with him at work, his wife at home, and even his closest friend thinks he's a moron and steals his money. And so, one day, a mask suddenly appears on his face, he sees through all the badness and gets a taste for revenge. Romero's attempt at a kind of psychological thriller, or whatever it was supposed to be, failed. From the second half on, he gets boring, tries to be psychological, but fails. Anyone expecting some carnage, or god forbid zombies, will be disappointed. Only Peter Stormare as an eccentric womanizer, with a "steroid champion between his legs", is good, that role was tailor made for him.
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