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Shameik Moore, Hailee Steinfeld, Oscar Isaac, Jake Johnson, Brian Tyree Henry, Luna Lauren Velez, Jason Schwartzman, Issa Rae, Rachel Dratch (mehr)Streaming (6)
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Miles Morales kehrt für das nächste Kapitel der Oscar®-gekrönten Spider-Verse-Saga, Spider-Man: Across the Spider-Verse, zurück. Nach seiner Wiedervereinigung mit Gwen Stacy wird Brooklyns freundliche Spinne aus der Nachbarschaft, nun als Vollzeit-Spider-Man, quer durch das Multiversum katapultiert, wo er auf ein Team von Spider-People trifft. Ihre Aufgabe ist es, die Existenz des Multiversums zu schützen. Doch als die vielen Helden über die Frage, wie sie mit einer neuen Bedrohung umgehen sollen, aneinandergeraten, muss Miles gegen all die anderen Spinnen antreten und neu definieren, was es bedeutet, ein Held zu sein. Auch, damit er die Menschen retten kann, die er am meisten liebt. (Sony Pictures DE)
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Einen halben Punkt ziehe ich schon mal gleich für das Finale ab. Schließlich ist es keine Serie, bei der es akzeptabel wäre, es während eines wichtigen Wendepunkts im Drehbuch so grob abzuhacken. Der Film ist außerdem nicht eindeutig bezeichnet, z. B. als "Teil 1", also wusste ich nicht, worauf ich mich da einlasse, und fühlte mich irgendwie betrogen oder sogar schlimmer, als ob meine Partnerin mich mitten fantastischen Abend beim geilsten Sex (der letzten paar Jahre) nackt auf die Veranda schmiss, lächelnd mit den Worten "komm' nächstes Jahr wiecer..." und die Tür zugeknallt hätte. Und ich bin nicht der einzige, der es so sieht, über dieses Ende regten auch die Eltern im Kino auf wie kleine Kinder, und auch ihre kleinen Kinder waren unverhohlen enttäuscht - das ganze Kino kochte, aber zum Glück war es mittwochs halb leer, aber auch so musste ich es ertragen, was meine eigene Wut nur ankurbelte... Aber mehr als einen halben Punkt abziehen möchte ich nicht, denn das war insgesamt ein großartiges Erlebnis. Es war etwas für Zoomer, Boomer, Eltern und Kinder dabei, es passiert einfach immer etwas, der Film ist voller gelungener Sprüche, aber auch gefühlvoller Emotionen, die Botschaft über die Bedeutung der Familie (die dank einiger Perspektiven irgendwie für alle gilt) und was die Animation betrifft, Spider-Man sprudelt geradezu vor kreativer Kreativität. Es ist auch voller Popkultur-Referenzen, Verweise auf andere Spider-Man-Filme, aber vor allem ist es der erste Film, der praktisch und makellos das berühmte Spiderman meme template verwenden konnte! Abgesehen von dem abrupten Ende habe ich praktisch nichts zu bemängeln, ich habe mich großartig unterhalten, ich saß die ganze Zeit fest vor der Leinwand und habe nicht einmal bemerkt, dass es fast zweieinhalb Stunden gedauert hat, im Gegenteil, wenn mir jetzt jemand sagen würde, dass ich mir eine weitere dreistündige Fortsetzung anschauen könnte, würde ich vielleicht sogar bis Mitternacht bleiben. Das war (genau wie in Parallelwelten) ein Erlebnis, ein weiteres Beispiel dafür, was Animation leisten kann oder wie man mit Farben arbeitet, um die Atmosphäre der Szenen perfekt zu unterstreichen. Gäbe es nur nicht diesen Abschluss - aber genug, 9,5/10!
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Eine wirklich tolle Animation, so etwas gab es zum letzten Mal vor fünf Jahren. Wichtiger ist aber, dass der Film eine tolle Geschichte hat! Es passiert nicht so oft, dass ein Animationsfilm voller Ideen mindestens acht Filme mit menschlichen Schauspieler*innen übertrifft (diejenigen, in denen Spider-Man erschienen ist). Jeder Witz und jeder gefühlvoller Dialog, jede Figur und jede Actionszene haben hier ihren Platz… Ursprünglich war ich unangenehm überrascht, dass der Film 140 Minuten dauert. Als er zu Ende war, wollte ich aber noch mehr. Ich freue mich schon auf den dritten Teil (kein Wunder, nach dem Finale). Im Hinblick darauf, wie reichhaltig dieser Film ist, habe ich bis zu seiner Premiere eine Beschäftigung.
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Der unglaublich dichte animierte Comicfilm schöpft aus bewusster Ironie, Internet-Memes, popkulturellen Anspielungen, der langen Geschichte des Comics und der Raffinesse, mit der die Autoren an die frenetischen Actionszenen und die Arbeit mit den Charakteren herangehen. Die fesselnde audiovisuelle Überfülle ist voller origineller Details, die trotz des ultra-schnellen Tempos, der Fülle von Gags und der Vielzahl von dynamischen Aktionen eine ernsthafte dramatische Ebene bewahrt, in der gerade die ruhigen Emotionen und langsameren Dialogpassagen hervorstechen, die auf familiären Beziehungen und den Themen des Schicksals, des Erwachsenwerdens und des Kampfes gegen Vorherbestimmung basieren.
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Mit Parallelwelten-Filmen spart man in letzter Zeit wahrlich nicht, und ich bin froh, dass der zweite animierte Spider-Man seine Vorgänger nicht einfach nur abkupfert, sondern wie der erste seinen eigenen Weg geht - vor allem dank der phänomenalen künstlerischen Gestaltung, die Hand in Hand mit einer fesselnden Geschichte geht. Der Phantasie der Künstler sind im zweiten Film keine Grenzen gesetzt, und der Zuschauer wird Zeuge eines visuellen Konzerts, in dem verschiedene Arten von Animation, aber auch Live-Action-Film eine Rolle spielen (hier gefiel mir die nostalgische Verbindung zu den früheren Spider-Man-Filmen). Wie schon gesagt profitiert der Film auch von einer Geschichte, die neben den Paralleldimensionen das dankbare Motiv der Unausweichlichkeit des Schicksals problematisiert, und so wird der Film den Zuschauer zum Nachdenken anregen und ihn nicht, wie bei Animationsfilmen oft der Fall, nur gedankenlos zuschauen lassen. Der Film hatte einen etwas langsamen Start, aber ich lobe die Tatsache, dass es eine gewisse Rekapitulation des ersten Teils gab, seit dem fünf Jahre vergangen sind, aber dann nahm die Handlung an Fahrt auf (die Kämpfe mit Fleck und die ultimative Spider-Man-Verfolgungsjagd waren toll und grenzenlos) und wurde nur durch das offene Ende gestoppt, das die Bühne für den dritten Teil bereitete. Ein wirklich herausragendes visuelles Erlebnis, und es wäre eine Sünde, es auf einem kleinen Bildschirm anzusehen.
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I've seen the first Spiderverse several times and I reckon I'll make time for the second one sometime in the future, and not just once. I'm a bit jaded about it now, though. The second animated Spider-Man is awesome and even more imaginative, playful and wilder in terms of audiovisual style, and isn't afraid to mix different styles together. It works well with the music and is simply great to watch. Plus, it works perfectly in the moments when it slows down and tackles romance, drama and emotion. You'll just root for a happy ending for these characters, even though it's obvious from the start that the road to it will be very thorny. Still, I do have one problem with Across the Spiderverse. It's a little too wild at times. The first fight with the The Spot felt a bit confusing and overly fast, and the same is actually true of all the action sequences, which are bigger and have an awful lot going on. I also had trouble keeping up with it a little bit. Even with the first film, I felt like the final battle needed a bit of a looser pace to enjoy it with everything, but here they step on the gas a bit more (it's a sequel rule, so that's to be expected), and I barely managed to exhale after each major action sequence, telling myself that it looked great, but at the same time I had to admit that I probably missed a lot of interesting stuff. I'm a bit sorry about that, because I would have liked to enjoy the movie to the max the first time and not think at the wildest scenes that I might have preferred to flip through an artbook at my own pace rather than watch a movie that was just crazy wild at times. A bit too much for my taste. After a second viewing, hopefully I'll be clear on whether the new Spidey is great or "just" damn good. EDIT: So I went a second time and knew what to focus on and enjoyed it a star more.
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The sequel to Spider-Man is a solid and excellent animated film, it's wild, creative, shocking, serious and rightly fatal, and the comparison to Infinity War is spot on. It's just that a few things slightly bothered me and that's why I can't give it a full score. The film has a lot of cool and eye candy stuff that will please any comic book fan. Visually it is a revolutionary spectacle, it’s action packed (I liked the opening fight with Vulture and the final epic chase with 100 spidermen, which is one of the best scenes of the movie and the viewer will want to repeat it again). The soundtrack is also excellent and perfectly fitting – I immediately looked up a few songs. The villain, The Spot, is impressive, but he doesn't get much space in the second, and they have saved him for the final part of the trilogy. The second half is all about Miguel O'Hara, whose character I enjoyed the most. The surprise final unexpected twists are also very shocking and take this whole film to the next level, I liked that. On the other hand, what disappointed me a bit is the big absence of humour, it's all too serious and in some passages could have been spiced up with some wisecracks, as the first half was quite slow paced and on the second viewing I'm afraid it might be a bit boring, but otherwise I'm extremely satisfied with this one. 85%
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The pure wow effect of a head-on collision with something unprecedented and revolutionary, which dominated the experience of Into the Spider-Verse, naturally couldn’t happen again. However, that doesn’t change the fact that the second animated Spider-Man movie is an absorbing audio-visual explosion that still manages to conjure up the same delightfully goofy expression of wonder and fascination on the faces of viewers. Whereas live-action comic-book movies are running out of steam and losing the audience’s interest, the second Spider-Verse is hyper-dynamic, not only in the way it depicts movement and action within individual shots and whole sequences, but also in terms of narrative and the expression of emotion. It has a lengthy runtime, but in spite of that it remains an impressive piece of work given everything that the film manages to convey in the course of it. And not just in terms of peripeteias and dialogue, but also in the breadth of the titular Spider-Verse. The medium of animation itself plays an essential role in this. Whereas the animation in the previous film was breathtaking mainly from the perspective of expressive physical movement, this time it takes on a narratively illustrative and emotionally impressive role. In particular, viewers are aided in finding their bearings across the various parallel worlds and their inhabitants not only the stylisation of the drawing, but also by the animated interpretation, from the technical execution to the rendering of the stylistic specifics in time and space (from sketch-like elements and action lines, through the handling of movement and poses, to the scale and use of typographic VFX). The animation also makes it possible to express and convey emotions in a condensed and very effective way – again from body language and expressive stylisation of facial expressions (unlike in live-action comic-book movies, the animated Spider-Man is not in any way limited by his mask) to the work done with the colour palette of the given scene and the proportional deformation of the characters. In addition to that, we also have a sophisticated meta-treatise on the conflict between personal will and a rigid canon, which unsurprisingly can be extended from the central story to the iconoclastic position of the animated Spider-Verse movies, which are brimming with creativity in comparison with the live-action Marvel films conformably occupying the space within the usual and automatically accepted boundaries of pseudo-realism and clichés. But that is rather the icing on this perfectly thought out and phenomenally rendered cake. The animated Spider-Man catapults us into a new dimension of blockbuster entertainment and it will be interesting to see if its live-action fellow travellers will hang their heads in shame alongside the animated competition that has already come into being.
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A buttload of ideas, a celebration of all the artists who gave each of the worlds a special and unique atmosphere. The action scenes are so awesome that you will want to go back to the cinema very soon, to enjoy and study them. However, it is not only the visuals that keep the viewer engaged, the script also deserves praise. Each character is well thought out, has a mini-story and evolves. The wisdom that the Spider-men/women share makes sense and is fun (because Spidy is a funny guy), every viewer will find something here. I, like Peter B. Parker, also had a daughter since the first episode, and did I identify my paternal stereotypes in him? Of course I did! And that’s how well the characters are written. Everyone will find something. It also has its own fatality and an unusual villain who got caught by a donut in the first film and then had a bit of bad luck. From nerdy scientist and third-rate villain to the destruction of the multiverse quickly and easily? Well, maybe not destruction... maybe, because we'll have to wait for the next part. So, to sum up: after the magazine ad, it steps on the gas pedal all the way to the floor and doesn’t slow down until the open ending.
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I was skeptical about this film before the screening, and for a while I doubted whether it could move forward meaningfully in terms of plot from the first part, whether it could still be visually arresting, and whether the humor and characters would be entertaining enough to carry it. But all of that left me after a while, and I'm back to being excited like a little kid and wanting the next part right now because I can't handle waiting another year. Story-wise, the film makes perfect sense, it composes the MCU Spiderverse elements perfectly, it completes the concept of the multiverse, it serves us cameos from the "live-action" Spider-Man, comic book memes of the three Spider-Men, a bunch of fun references and especially the characters. With these, I was worried if they could even hold a candle to Spider-Ham, but here we get not five Spider-Men like in the previous part, but literally hundreds to thousands of versions of him, and Indian Spider-Man, Spider-Horse, a Samurai Spider-Man, and a Spider-Car that had me in stitches with laughter. The best part of it all is that the visuals and comic book style once again bust my balls, bringing a fresh style to the screen and that we once again have plenty of action, with the definite highlight being the fight of a hundred Spider-Men against each other, where I didn't know who to look at first and was squirming in my seat like a prostitute in church. As the film draws to a close, it adds to the hardness, the tension builds and the harder and harder punk-rock-hip hop insert kicks in until the very finale, which.... Well. I guess we'll have to wait for that. It certainly leaves a bit of a bitter aftertaste to the end of a brilliant comic-book pleasure for nerds of the highest level, and is a bit reminiscent of Harry Potter 7.1 or Dune, but at least we have something to look forward to. Awesome!!
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I gave the previous installment a five-star rating because its originality, blend of animations, action, and humor left a lasting impression on me. Yet, I found myself putting off watching the sequel. Today, I decided to dive into the multiverse. I was concerned that the sequel might not live up to its predecessor, and unfortunately, it turned out to be true. While my disappointment was mild, it was disheartening to see the creators rely on overkill, as if they believed that without overwhelming the audience, they'd fall short. Additionally, I noticed a decrease in humor, which was a significant departure from what made the previous part so enjoyable for me. The shift towards darker and more serious themes didn't necessarily resonate with me; I missed the lighthearted moments that brought laughter. It felt like humor took a backseat to the exploration of various family values. Despite my criticisms, I found myself thoroughly entertained throughout, barely noticing the film's runtime. Still worth a solid four stars. / Lesson learned: Just because you can stick to objects, walls, or people doesn't necessarily make you Spiderman. It might just mean you need to wash your hands. With soap. 4*+
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Perfection! Spider-Man: Into the Spider-Verse has a level of originality, sophistication, and inventiveness that leaves the competition light years behind. It not only lives up to the brilliance of the first installment but also manages to elevate it further. It sets the bar high for what animated movies can achieve. Phenomenal in every detail.
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